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Imprint: San Francisco, Calif.: Alan Wofsy Fine Arts, 1992. New ed. 352 pp.; 281 illustrations. Translated and revised by Susan Gilchrist. First English language edition. As new in dust jacket. Stock number: 140-9.
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Imprint: Propyläen, 1978. Text in German. Stock number: 00-0258.
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Imprint: Totowa, N.J.: Barnes & Noble, 1981. 8vo. 377 pp., illus. Near fine in dust jacket. Stock number: 15-2717.
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Imprint: July 13, 1957. 1 p. Peter Baston, musician. With tape residue along left front margin. From a collection of letters and papers amassed by illustrator and painter Geoffrey Robinson during his years as a publisher with Rockliff, John Baker, Maclaren, et al. Stock number: 05-1794.
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Imprint: Berkeley: 1978. Silkscreen and gouache cut-out for show from June-August, 1978. One of 20 signed and numbered impressions. 28 x 20.5 inches. Stock number: 51-0224.
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Imprint: New York and London: Harcourt Brace Jovanovich, 1977. 8vo., 646 pp., Very Good, Blue Cloth, Dust Jacket with rubbing, small tears & slight warping; with minor stains on edges of text block. First Edition. Stock number: 16-1305.
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Imprint: Paris: Bateaux Mouches. Menu. On cloth with color drawing of French soldier in Arab dress (Zouave) and view of Seine. Stock number: 01-0161.
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Imprint: New York: War Resisters League, 1967. 8vo., 128 pp., Good, Spiral-Bound Wraps with sun-fading, minor staining, some edge wear, & rubbing on covers; back cover and a few pages missing; ink & pencil scribbles throughout; shelf wear. Cover art by Ben Shahn. First Edition. Stock number: 16-2322.
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Imprint: London: Houlston and Sons, 1879. Second edition. 4to. 9 x 11-1/2 inches. 94 pp. Numerous illustrations by Cruikshank. Missing spine, back cover. Front cover and frontispiece detached but present. Interior sound. Good. Stock number: 59-3176.
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Imprint: Lopert Pictures; Nat. Screen Service, 1967. Three black and white movie stills, 8 x 10", picturing Alan Bates, Michel Serrault, and chimpanzee. Stock number: 01-1167.
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Imprint: New York: Grossman Publishers, 1969. 8vo., 216 pp., Very Good, Red Cloth on Decorative Red Boards with sun-fading, rubbing & edge wear; minor staining on edges of text block; shelf wear. Photographs. Stock number: 16-2265.
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Imprint: New York: War Resisters League, 1966. Peace Calendar Volume 13. Prepared by the Literature Committee and Staff of the War Resisters League; compiled and edited by Scott Bates; cover by Ben Shahn. 8vo. [116] pp. Week-at-a-glance appointment book, good for the years 1905, 1911, 1922, 1933, 1939, 1950, 1961, 1967, 1978, 1989, 1995, 2006 and 2017. Very good in spiral-bound wraps, offset browning to front cover, interior unused. Stock number: 12-0736.
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Imprint: New York: D. Appleton, 1923. 8vo., 48 pp., Good, White on Black Boards, edge-wear, shelf wear. Stock number: 16-0096.
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Imprint: New York: D. Appleton, 1923. 8vo., 48 pp., Good, White on Black Boards, edge-wear, shelf wear. Stock number: 16-0294.
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Imprint: Cambridge: Cambridge University Press, 1966. 8vo. 912 pp., Very Good, Brown Cloth, some rubbing on cover, few pencil scribbles on front end papers. Stock number: 15-1228.
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Imprint: Milwaukee, Wisc.: New German Critique, 1979. 8vo. 208 pp. Very good + in wraps. Spine faded. Front hinge starting but remains fully intact. Stock number: 66-0555.
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Imprint: S. Peterburg: V. S. Balashev, 1887. 4to. 633 pp., frontispiece. Text in Russian. Very good in quarter-cloth, marbled boards, piece of marbling torn off front cover corners, spine slightly faded and rubbed. Edges worn, corners bumped, library stamp on title page. Foxing throughout. Stock number: 15-3306.
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Imprint: Boston, Mass.: Bats and Guild Company, 1900. 36 pp. Illustrated in black and white. 8vo. Wraps. Stock number: 54-1180.
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Imprint: Boston, Mass.: Bats and Guild Company, 1901. 40 pp. Illustrated in black and white. 8vo. wraps. Stock number: 54-1181.
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Imprint: Boston, Mass.: Bats and Guild Company, ca. 1900. 42 pp. Illustrated in black and white. 8vo. Wraps. Rear wrapper detached. Library numbers. Stock number: 54-1201.
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Imprint: Boston, Mass.: Bats and Guild Company, ca. 1900. 42 pp. Illustrated in black and white. 8vo. Wraps. Library numbers. Spine partly split. Stock number: 54-1202.
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Imprint: Los Angeles: UCLA Press, 1976. 8vo., 70 pp., Very Good, Paper wraps, some pages bent, shelf wear. Augustan Reprint Society, Publication Number 175. Stock number: 16-1005.
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Imprint: Bedford Gallery, 1991. Unpaginated. Illustrated in color and black and white. Oblong saddle-stitched wraps. Stock number: 56-0058.
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Imprint: 1991-92. John Battenberg: Recent Sculptures, Prints and Paintings. Nevada Museum of Art & E.L. Wiegand Gallery, Reno, Nevada, March 28-May 24, 1992. Exhibition catalogue, 9 pp.; John Battenberg: Putting It All Together. September 12-November 10, 1991. Exhibition catalogue, 12 pp.; one 4" x 5" transparency of "Noadiah," 1992; six 8 1/2" x 11" color photocopies of "Canis Lupus" (1991), "Wolf Pack - Zechariah" (1992), "Wolf Pack - Uriah" (1992), "Puma" (1991), "Mystical Bear Maquette" (1991), and "Creatures of Nevada (detail)" (1991), in a yellow folder. Provenance: former Harcourts Gallery, San Francisco. Stock number: 01-0780.
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Imprint: Religion in Life, 1946. Reprinted for private circulation from Religion in Life, Spring 1946, pp. 1-12. Very good in stapled paper wraps, inscribed by author. Stock number: 13-0297.
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Imprint: Altona: Langenbartels & Jürgens, 1916. Color lithograph. 82 x 57 cm. (German World War 1 poster). Stock number: 03-0781.
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Imprint: London: Grosvenor Gallery, 1965. Exhibition catalogue. One folded cardboard sheet measuring 20 x 21 cm. One black & white illus. 22 works listed. Near fine, with previous owner's name in ink on cover. Stock number: 05-2237.
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Imprint: New York: Funk & Wagnalls, 1968. 8vo. 183 pp., Very Good, Green Cloth with some shelf wear, sun-fading, binding cracked, edge wear. Illustrations & Photographs. Stock number: 15-3264.
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Imprint: Middletown, Conn.: Wesleyan University Press, 1959. 8vo., 195 pp., Very Good, Blue Cloth, Dust Jacket with light damage, small tears, rubbing & some staining; shelf wear. Stock number: 16-1687.
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Imprint: Baltimore: Johns Hopkins University Press, [1968?]. REPRINT. 12mo. 183-204 pp., Very Good+, Stapled Section, some sun-staining. Dedication signed by author on cover to previous owner. Reprinted from "Eighteenth Century Studies", Vol. 2, Number 3. Stock number: 15-4372.
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Imprint: San Francisco, Calif.: Alan Wofsy Fine Arts, 2010.Orig. From Fine Prints of the Year. London and New York, 1929-1932. PDF file containing high-resolution images of the following prints, originally reproduced in Fine Prints of the Year: Il Chitarrista, André Segovia; Pastorale. File deliverable by e-mail. A complete illustrated index to Fine Prints of the Year, 1923-1938, is available (catalogue no. 320-7). This item is printed on demand. Requires Adobe Reader or similar program to view. Stock number: 62-0018.
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Imprint: Florence, Italy: Arch. Carlo M. Battiglia, 1984. Catalogue with price list loosely inserted. 4to. [18] pp.; color illus. Works by: Pietro Anningoni, Renato Battiglia, Mario Barbieri, Fernando Bernardini, Igina Biriaco, Lidia Croce, Franco Messina, Roberto Masi, et al. Near fine in wraps, with slight offsetting to covers. Stock number: 07-0959.
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Imprint: Montevideo: Club de Grabado de Montevideo, Uruguay, 1988. Three-color serigraph on paper by Beatriz Battione with pastel markings and title in pastel along lower edge. From a limited edition of 100. Text verso: "Edición No. 408, Febrero 1988." Size: 265 x 292 mm. Stock number: 59-1515.
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Imprint: Montevideo: Club de Grabado de Montevideo, 1985. Three-color silkscreen print on paper from a limited edition of 100 signed and printed under the control of the artist. Signed, numbered, and dated in pencil, lower right. Text verso: "Tiraje 1200 ejemplares, 100 numerados, firmados y controlados por el autor - Edición 374, Abril 1985." Size: 291 x 199 mm. Stock number: 59-1473.
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Imprint: Montevideo: Club de Grabado de Montevideo, 1984. Three-color silkscreen print on cardboard from a limited edition of 100 signed and printed under the control of the artist. Signed, numbered, and dated in pencil, lower right. Text verso: "Tiraje 1200 ejemplares, 100 numerados, firmados y controlados por el autor - Edición 369, noviembre 1984." Size: 251 x 178 mm. Stock number: 59-1459.
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Imprint: Montevideo: Club de Grabado de Montevideo, Uruguay, 1988. Three-color serigraph on paper by Beatriz Battione. Signed in pencil, lower right. From a limited edition of 100. Print numbers 8 and 9 of 100. Text verso: "Selecciondada por Concurso Interno de Club de Grabado. Edición No. 333, Noviembre 1981." Size: 288 x 398 mm. Stock number: 59-1516.
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Imprint: ca. 1950s. Watercolor laid down on board. 52 x 36 mm.The name "Lou Battistone" appears on he verso and may or may not be the artist. Stock number: 59-2971.
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Imprint: France, ca. 1890s. From the series France Militaire. 10 x 7 inches. Stock number: 10-0699.
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Imprint: London: Rodwell & Martin, 1818. Engraving. Image: 11.5 x 19.5 cm. Sheet: 24 x 32 cm. Plate no. 1. Engraver: Charles Heath. Stock number: 59-0155.
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Imprint: London: Rockwell & Martin, 1819. Engraving. Image: 20 x 12.5 cm. Sheet: 27 x 17 cm. Engraver: Charles Heath. From "Swiss Scenery from Drawings". Stock number: 59-0300.
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Imprint: London: Rockwell & Martin, 1819. Engraving. Image: 21 x 13.5 cm. Sheet: 32 x 24 cm. Engraver: Charles Heath. From "Swiss Scenery from Drawings". Stock number: 59-0068.
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Imprint: London: Rockwell & Martin, 1818. Engraving. Image: 102 x 165 mm. Sheet: 17 x 27 cm. Very light staining on left margin.Engraver: Charles Heath. Stock number: 59-0311.
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Imprint: London: R. Jennings, 1827. Engraving. Image: 13 x 20.5 cm. Sheet: 28 x 38 cm. Left half of print darkened, some tears in margins, some staining in margins. Engraver: W.R. Smith. Printer: McQueen. Stock number: 59-0050.
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Imprint: London: Rodwell & Martin, 1818. Engraving. Image: 112 x 192 mm. Sheet: 25 x 31.5 cm. Irregular upper edge. Plate no. 2. Engraver: Charles Heath. Handwriting in pencil next to title: "Mount Cenis", in ink in lower right corner: "45a". Stock number: 59-0106.
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Imprint: London: Rodwell & Martin, 1820 Engraving. 17 x 27 cm. Plate no. 60Engraver: Charles Heath Stock number: 59-0077.
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Imprint: London: Rockwell & Martin, 1820. Engraving. Image: 12.5 x 20 cm. Sheet: 25 x 31.5 cm. Irregular upper edge. Plate 59. Engraver: A. Freebairn. Handwritten in ink in lower right corner: "202B". Stock number: 59-0401.
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Imprint: Paris: Editions Art Extension, 1981. Text only. 10 poems on Arches including limitation page, signed and numbered by the artist Jean Solombre. No. 71 of 125 numbered portfolios. Large folio in slipcase. Stock number: 01-0189.
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Imprint: ca. 1800. Line engraving measuring 24 x 17 cm. (9 x 7 inches). Stock number: 11-0930.
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Imprint: 1917. Jan Niecis aw Ignacy Baudouin de Courtenay (1845-1929) was a Polish linguist and Slavist, best known for his theory of the phoneme and phonetic alternations.For most of his life Baudouin de Courtenay worked at Imperial Russian universities: Kazan (1874-1883), Dorpat (1883-1893), Krakow (1893-1899), and St. Peterburg (1900-1918), where he was known as Ivan Aleksandrovich Boduen de Kurtene. In 1919-1929 he was a professor at the re-established University of Warsaw in a once again independent Poland. 4to. 223 pp. Text in Russian. Duplicated typescript bound in detached (but present), worn marbled boards, cloth spine strip disintegrated, some damp stains throughout, a few tears within, else fair. Stock number: 15-2133.
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Imprint: Corte Madera, Calif.: Portal Publications, 1991. Set of 40 friendship notecards. GGF024. Stock number: 02-0482.
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