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Lopez, Marcos (Photographer) & Gonzalez, Valeria (Contributor)
Marcos Lopez: Debut And Farewell 1978-2009

Imprint: Buenos Aires, Argentina, RM/Ediciones Lariviere, 2010
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in No Dust Jacket, As Issued. 225 pages. Retrospective collection of photographs. The single most comprehensive and important book on the photographic art of Marcos Lopez. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the 2011 Edition. Published in a small and limited first print run as a hardcover original only that sold out shortly after publication. The First Edition is now rare. A brilliant production by Marcos Lopez: Oversize-volume format. Pictorial hard boards with titles on the cover and spine, as issued. Photographs by Marcos Lopez. Essay by Valeria Gonzalez. Printed on pristine-white, thick coated stock paper in Buenos Aires, Argentina to the highest standards. Without DJ, as issued. Published on the occasion of the retrospective exhibition of the same name held in Buenos Aires in 2010. Presents, in its rare First Edition format, Marcos Lopez's "Debut And Farewell 1978-2009". Indisputably the most popular - and most avidly collected/bestselling - Latin American photographer of our time. Marcos Lopez is the continent's Warhol. A first glance at his photographic-tableaux style will immediately put one in mind of a figure like David LaChapelle. The difference will also become quite apparent: LaChapelle unconditionally loves his subjects, who are his Hollywood fan's objects of desire and fantasy. Marcos Lopez, on the other hand, loves his subjects conditionally. There is an unmistakable dose of irony, satire, and even social criticism in his work without, however, any of the academic or pseudo-intellectual condescension one prevalently finds in "conceptual" art photography. It is perhaps more accurate to describe his attitude as one of affectionate ambivalence, the celebration of the vulgar as being, in its own inimitable way, sublime. "Celebrated internationally for his Pop Latino take on his native Argentina, in which the country is portrayed as 'a painted cardboard shopping center that flutters in the Patagonian winds'. This survey collects all of his work, from the 1970's to the Present, tracking his abrupt change to color photography and his recent documentary projects" (Publisher's blurb). An absolute "must-have" title for Marcos Lopez collectors. This copy is very prominently and beautifully signed, placed, and dated (in the year of publication) in black ink-pen on the title page by the photographer: "Marcos Lopez Buenos Aires 2010". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, is one of the most important figures in the contemporary art photography world. This title is a contemporary art photography classic. As far as we know, this is the only such signed, publication-year dated, and inscribed copy of the First Hardcover Edition/First Printing (2010) available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Lopez does NOT do public signings even in his native Argentina. Copies available online are the 2011 Edition. A rare signed copy thus. Lavishly illustrated with color plates and doublespreads. One of the most important and influential Latin-American photographers of our time. A fine collectible copy. . ISBN 8492480939.

Stock number: 19674. ISBN: 8492480939

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Lorca, German (Photographer) & Fernandes, Ruben (Contributor)
German Lorca: Travessias

Imprint: Sao Paulo, Brasil, Galleria Millan, 2015
Edition: First Edition
Binding: Hardback

First Edition / First Printing. Fine in No Dust Jacket, As Issued. 105 pages. Retrospective Exhibition Monograph. The single best introduction to the remarkable achievement of German Lorca. The first and only edition. Published in a small and limited first print run as a hardcover original only that was not commercially distributed outside Brazil. There is no ISBN. The First Edition is now scarce. An austerely elegant production by Galleria Millan: Regular-sized volume format. Black cloth boards with metallic-silver titles embossed on the cover and spine, as issued. Photographs by German Lorca. Text by Ruben Fernandes in the Portuguese original and felicitous English translation. Printed in tritone on pristine-white, thick coated stock paper in Sao Paulo, Brazil to the highest standards. Without DJ, as issued. Published on the occasion of the landmark retrospective exhibition of the same name held at the Galleria Millan Sao Paulo in 2015. Presents German Lorca's "Travessias/Crossings". Some of the finest, most beautiful, and representative images by the great Brazilian artist/photographer, taken between 1940 and 1990, a productive fifty-year career for a figure whose spare and meticulous compositions allude to both recent Modernist painting and photography with a dramatic Latin-American inflection. "Provides proof of the coherence of a perception that adopts but a few references - Morandi, Mondrian, Geraldo de Barros - and synthesizes a virtuosic trajectory in the history of Brazilian photography. Emblematic and inspiring images that gather together ideas, cause shapes to take on bodily form, bring spaces into the real world, and experiences that reflect his strong sense of intuition based on freedom and experimentation" (Ruben Fernandes). An absolute "must-have" title for German Lorca collectors. This Retrospective Exhibition Monograph is now collectible. As far as we know, this is the only copy available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare copy thus. Lavishly illustrated with tritone plates. One of the greatest Latin-American artist/photographers of our time. A fine copy. .

Stock number: 20729.

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Louis, Edouard (Author) & Stein, Lorin (Translator)
History Of Violence

Imprint: London, England, Harvill Secker, 2018
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in As New Dust Jacket. 200 pages. The author's second novel. Now considered a contemporary classic. The first appearance of the title in English and in the United Kingdom. Precedes and should not be confused with all other subsequent editions, particularly the American Edition, released on June 19, 2018, one week later. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Edouard Louis' "Histoire de la violence" in a felicitous English translation by Lorin Stein, himself one of the most brilliant writers in the English language. The second novel in the prodigious young writer's "Autobiography" Trilogy preceded by "The End of Eddy" (2017) and completed by "Who Killed My Father" (2019). "On Christmas Eve 2012, the novelist Edouard Louis was raped and almost murdered by a man he had just met. This act of violence left Louis shattered. Its aftermath made him a stranger to himself and sent him back to the village, the family, and the past he had sworn to leave behind. A short non-fiction novel in the tradition of Truman Capote's 'In Cold Blood', but with the victim as its subject, it has the exactness of a police report and the searching, unflinching curiosity of memoir. Records not only the casual racism and homophobia of French society, but also their subtle effects on lovers, brothers and sisters, husbands and wives. Represents a great step forward for a young writer whose acuity, skill, and depth are unmatched by any novelist of his generation" (Publisher's blurb). An absolute "must-have" title for Edouard Louis collectors. This copy is very boldly and beautifully signed in black ink-pen on the title page by Edouard Louis. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. This is one of few such signed copies of the First British Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Precedes and should NOT be confused with the American Edition, released on June 19, 2018, one week later. A rare signed copy thus. One of the most brilliant writers of our time. A fine collectible copy. (SEE ALSO OTHER EDOUARD LOUIS TITLES IN OUR CATALOG). ISBN 1911215752.

Stock number: 22304. ISBN: 1911215752

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Louis, Edouard (Author) & Stein, Lorin (Translator)
Who Killed My Father

Imprint: London, England, Harvill Secker, 2019
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in As New Dust Jacket. 192 pages. The author's third novel. Now considered a contemporary classic. The first appearance of the title in English and in the United Kingdom. Precedes and should not be confused with all other subsequent editions, particularly the American Edition, released on March 26, 2019, five weeks later. Published in a small and limited first print run as a hardcover original only. Presents Edouard Louis' "Qui sa tue mon pere" in a felicitous English translation by Lorin Stein, himself one of the most brilliant writers in the English language. An accusation, not a question, the modern "J'Accuse". That is, the state effectively killed his father. Edouard Louis' father is still alive at the time of the novel's publication, barely, being severely disabled, but forced to keep on working because if he doesn't, he loses his disability benefits. The third novel in the prodigious young writer's "Autobiography" Trilogy preceded by "The End of Eddy" (2017) and "History of Violence" (2018). "Rips into France's long neglect of the working class and its overt contempt for the poor, accusing the complacent French of negligent homicide. The author goes to visit the ugly, gray town of his childhood to see his father, barely fifty years old, who can hardly walk or breathe: 'You belong to the category of humans whom politics consigns to an early death'. Hand in hand with searing, specific denunciations are tender passages of a love between Father and Son, once damaged by shame, poverty, and homophobia. This combination makes 'Who Killed My Father' a heartbreaking book" (Publisher's blurb). An absolute "must-have" title for Edouard Louis collectors. This copy is very boldly and beautifully signed and dated (one day before publication) in black ink-pen on the title page by the author: "20/02/19 Edouard Louis". It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. As far as we know, this is the only such signed and pre-publication dated copy of the First British Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Precedes and should NOT be confused with the American Edition, released on March 26, 2019, five weeks later. A rare signed copy thus. One of the most brilliant writers of our time. A fine collectible copy. (SEE ALSO OTHER EDOUARD LOUIS TITLES IN OUR CATALOG). ISBN 1787301222.

Stock number: 22223. ISBN: 1787301222

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Lukacs, Attila Richard (Photographer); Morris, Michael (Author) & Aletti, Vince (Contributor)
Polaroids: Attila Richard Lukacs And Michael Morris

Imprint: Vancouver, Canada, Arsenal Pulp Press, 2010
Edition: First Edition
Binding: Hardback

First Edition / First Printing. As New in No Dust Jacket, As Issued. 175 pages. Retrospective monograph presented as an Artist Book. One of the most beautiful erotic art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Attila Richard Lukacs and Michael Morris: Elephant-sized, as big as a poster, and it is not because of artistic vanity as the size allows every single Polaroid to be reproduced at actual size while being crammed with eleven others on the same page. Pictorial hard boards with titles on the cover and spine, as issued. Polaroids by Attila Richard Lukacs. They are presented in a grid format that was conceived and realized by Michael Morris. Essays by various contributors. Interview by Vince Aletti, the photography critic of the New Yorker Magazine. Printed on pristine-white, thick coated stock paper in South Korea to the highest standards. Without DJ, as issued. Presents Attila Richard Lukacs' "Polaroids". All of them full-frontal male nudes. As such, they recall the pioneering work of David Hockney even though the artists have nothing in common with each other in terms of artistic style. While Hockney was profoundly interested in the way photography shows multiple points-of-view, Lukacs compels us to be more keenly aware of the closely intertwined acts of looking, seeing, watching, and perceiving. The Polaroid camera's "one-print-only" technology "proves" Susan Sontag's and Roland Barthes' central insight that every photograph captures a moment in time that happened only once. "Best-known for his epic paintings that depict homoerotic imagery, his work has been exhibited at Documenta in Kassel, Germany as well as in New York, Paris, London, Berlin, and Cologne, among other cities. This is the first book to document the work of this important artist from an unusual perspective: A collection of 1200 Polaroid images (twelve per page) taken by Lukacs over the past twenty years as core referents for his paintings, assembled and collaged by Michael Morris. Lukacs regularly employs a Polaroid camera as part of his artistic process, using his friends and acquaintances as models. His painterly sensibility is evident in the rich hues and romantic sensuality of these photographs, which are strikingly similar to the paintings that resulted from them" (Publisher's blurb). An absolute "must-have" title for Attila Richard Lukacs collectors. This title is now collectible. This is one of few copies of the First Hardcover Edition/First Printing still available online andis in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies were badly damaged in transit because of the book's unwieldy size, which requires careful handling. A scarce copy thus. 1200 color plates. One of the most brilliant artist/photographers of our time. A fine copy. . ISBN 1551522950.

Stock number: 16281. ISBN: 1551522950

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Luster, Deborah (Photographer); Dostoyevsky, Fyodor; Sebald, W.G. & Wright, C. D. (Contributions)
Tooth For An Eye: A Chorography Of Violence In Orleans Parish

Imprint: Santa Fe, NM, Twin Palms Publishers, 2011
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 64 pages. Collection of circular photographs juxtaposed with crime records, presented as an Artist Book. Deluxe Edition of 26 numbered and signed copies. Should not be confused with the Limited Edition. The Deluxe Edition is now rare. An austerely elegant production by Jack Woody: Oversize-volume format. Pictorial hard boards with titles on the spine, as issued. Photographs and text by Deborah Luster. Text fragments by Fyodor Dostoyevsky, W. G. Sebald, and C. D. Wright appended at the end. Original 16 X 15 inch gallery print-sized gravure print encased in its own black folio and laid into the box. Pale gray pictorial clamshell cloth box. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Deborah Luster's "Tooth For An Eye: A Chorography of Violence In Orleans Parish". The sequel and companion volume to "One Big Self". If the latter consisted of portraits of criminals/prisoners, the present collection is a record of crime scenes juxtaposed with a description of the crime that took place. If "One Big Self" gave criminals a human face, "Tooth For An Eye" gives the otherwise nondescript crime scene a human trace. Luster reproduces each photograph as every camera actually takes it: A circle that is technically called the iris (as in one's eyes), which harks back to 19th-century portraiture, reminding us that a photograph is first seen by the human eye as round before it is filled out and printed as a square or rectangle. "Explores the city in a new way, creating a compelling portrait in the form of a photographic archive of contemporary and historic homicide sites. Explores the themes of loss and remembrance in a series of photographs that offer an opportunity for the viewer to enter deeper into the idea of the city, a place where life and death coexist, neither free of the other's influence" (Publisher's blurb). An absolute "must-have" title for Deborah Luster collectors. This copy is one of the Deluxe Clamshell Box Edition, indicated/numbered as such on the Back Limitation Page. It is very prominently and beautifully signed in black ink-pen by Deborah Luster. Laid-in is an original 16 X 15 inch gallery print-sized gravure print, also very prominently and beautifully numbered and signed in pencil on verso by the photographer. This title is a contemporary photography classic. As far as we know, this is the only copy of the Deluxe Edition available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. 30 duotone plates, 1 original print. One of the most brilliant American photographers of our time. A fine collectible copy. . ISBN 1931885982.

Stock number: 16493. ISBN: 1931885982

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Lynch, Mark
Fond Memories: Photographs By Mark Lynch

Imprint: Berlin, Germany, Bruno Gmunder Verlag, 2014
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in Fine Dust Jacket. 160 pages. Debut retrospective collection of male nudes. One of the most beautiful erotic art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited print run as a hardcover original only. A brilliant production by Mark Lynch and Bruno Gmunder Verlag: Oversize-volume format. Pictorial hard boards with titles on spine, as issued. Photographs by Mark Lynch. Except for a brief Foreword and a Caption for each image by the photographer, there is no text. Two original color prints of the same stunningly handsome redhead model, both full-frontal nudes, the first 8 X 10 inch, the second, 10 X 15 inch in size. Printed on pristine-white, thick coated stock paper in South Korea to the highest standards. In matching pictorial DJ with titles on the cover and spine, as issued. Presents, in a lovely collectible format, Mark Lynch's "Fond Memories". Some of his finest and most representative male nudes, culled from more than twenty years of dedicated photography. "A beautiful book of male nudes taken over the years by Lynch. The models are diverse but well-chosen. Delivers a great variety of models in various states of arousal. The photos are artistic and beautiful, and the book is a real treasure to own" (Lance Leon Lennon). They are All-American natural beauties, from Texas (where, as its reputation goes, the men are bigger and better), athletes from various colleges and universities. That they are all comfortable being completely nude belies the Southern Baptist/conservative image of Texas. Perhaps, Texas is evolving indeed into a more progressive, liberal, even free-wheeling state (like say, California). The men are not "refined" or "cosmopolitan" (in the Bruce Weber vein), but it is their very shyness and their evident lack of professional experience that make them so appealing and attractive in the first place. Much praise has been lavished upon Mark Lynch's technical expertise, honed and perfected over the years, and they are well-deserved. Still, whether it's him or BW, half of all great erotic nudes is casting. These non-professional athlete/models are the cream of the crop. An absolute "must-have" title for Mark Lynch and erotic art photography collectors. This title is now collectible. This copy comes with two original color photographic prints of the same redhead model, who is "to-die-for", drop-dead gorgeous, in full-frontal nudes. Both prints (8 X 10 and 10 X 15 inch in size, respectively) are labeled and very boldly and beautifully signed on verso in black pen-marker by Mark Lynch. As far as we know, this is the only set of the First Hardcover Edition/First Printing and signed prints available online and is in especially fine condition: Clean, crisp, and bright, pristine beauties. Please note: Mark Lynch did NOT sign copies of the book itself. He signed both prints. A rare set thus. Lavishly illustrated with full-page plates, 2 original color prints. One of the most brilliant American photographers of the male nude. A fine collectible set. (SEE ALSO OTHER MARK LYNCH TITLES IN OUR CATALOG). ISBN 386787672X.

Stock number: 19353. ISBN: 386787672X

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Lynch, Mark
Mark Lynch: Untitled Male Nude Original Archival Print

Imprint: Austin, TX, Mark Lynch Studios, 2002
Edition: First Edition
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in No Dust Jacket, As Issued. 1 pages. Rare Mark Lynch collectible item. A fine male nude black-and-white original photographic print, numbered and signed by Mark Lynch. It is untitled and shows a muscular, All-American model in a full-frontal yet discreetly elegant nude studio portrait. Print size is 8 X 10 inches. The photograph is very beautifully printed in the United States under Mark Lynch's direct supervision to the highest standards. Eminently suitable for framing. Encased in his studio's protective plastic sheet. Without DJ, as issued. Presents Mark Lynch's "Untitled" male nude. An absolute "must-have" collectible, not just memorabilia, item for Mark Lynch and male erotic art photography collectors. This 8 X 10 inch original silver-gelatin print is very prominently and beautifully numbered and signed in black pen-marker on verso by Mark Lynch. It is encased in his studio's protective plastic sheet and is eminently suitable for framing. This print is now collectible. As far as we know, this is the only such signed copy of the print available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed print thus. One of the most brilliant American photographers of the male nude. A fine print. (SEE ALSO OTHER MARK LYNCH TITLES IN OUR CATALOG).

Stock number: 19553.

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Lynch, David (Film Director) & Gifford, Barry (Author)
Wild At Heart: The Story Of Sailor And Lula

Imprint: New York City, NY, Grove Weidenfeld, 1990
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 159 pages. The author's fifth novel. Now widely considered a contemporary classic. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Barry Gifford's "Wild At Heart: The Story of Sailor And Lula". The literary and visual equivalent of meaningful sound bites. "Cuts to the heart with sharply focused shots of young lovers on the lam. Innocents on the road but wise to the needs of their hearts, Lula and Sailor tool along from Louisiana to Texas in a white '75 Bonneville convertible, and when the money runs out, land in Big Tuna, where Sailor runs afoul of the law again. Sweet and foolish, pure but ordained to be defeated, Sailor and Lula represent a bittersweet ideal" (Publishers Weekly). The basis of the brilliant film adaptation by David Lynch, with Nicholas Cage and Laura Dern in career-peak performances. An absolute "must-have" title for Barry Gifford and David Lynch collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Barry Gifford. It is signed directly on the page itself, not on a tipped-in page. It is also very prominently, beautifully, and uniquely signed in black pen-marker on the half-title page by David Lynch. This title is a contemporary classic. As far as we know, this is the only such double-signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A rare signed copy thus. Two of the greatest American writer/filmmaker/artists of our time. A fine collectible copy. (SEE ALSO OTHER BARRY GIFFORD AND DAVID LYNCH TITLES IN OUR CATALOG). ISBN 0802111815.

Stock number: 11516. ISBN: 0802111815

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MacDonald, Helen (Author) & Wormell, Chris (Artist)
H Is For Hawk

Imprint: London, England, Jonathan Cape, 2014
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 300 pages. The author's breakthrough classic. One of the most beloved books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the American Edition, which was published one year later. Published in a small and limited first print run as a hardcover original only that sold out shortly after publication. The book has sold millions of copies and remains available in innumerable subsequent printings. The First Edition is now rare. Features the now-iconic, evocative DJ design/portrait of Mabel by Chris Wormell, one of the most brilliant artist/illustrators of our time. Presents, in its First Edition format, Helen Macdonald's "H Is For Hawk". A classic on the day it was published. "When naturalist and falconer Helen Macdonald lost her father, she thought her world was ending. Her journey from crippling grief to something resembling grace is on the wings of another (deadly) bird of prey, the notoriously prickly and murderous goshawk. In 'H Is for Hawk', you will meet Mabel, not just your typical bloodthirsty specimen, as she is trained to hunt like the goshawks of yore. It is this slightly mad undertaking that wrenches Macdonald free from despair, and brings her to a place where she can begin again. Macdonald's gorgeously wrought prose holds you in thrall from the first page, and provides something akin to the escape - and salvation - that Nature provides" (Erin Kodicek). "Mabel is described so vividly she becomes almost physically present on the page" (Time Magazine). The only book that precedes this, in terms of descriptive power and drama, is Glenway Wescott's greatest novel, "The Pilgrim Hawk" (1940). An absolute "must-have" title for Helen Macdonald collectors. This copy is very boldly and beautifully signed, dated (shortly after publication), and inscribed ("lined") in black pen-marker on the title page by the author: " 'Over the bright horizon the sky swam like water', Helen Macdonald 10 November 2014". It is signed directly on the page itself, not on a tipped-in page. The inscription is the very last line of the book (Page 283). It is also very prominently and beautifully signed in black ink-pen on the same page by Chris Wormell, the artist/illustrator of the iconic DJ. This title is a great book. As far as we know, this is the only such double-signed, publication-year dated, and inscribed ("lined") copy of the First Hardcover Edition/First Printing (British) available online and is in especially fine condition: Clean, crisp, and bright, a beauty. Please note: Precedes and should NOT be confused with the American Edition, which was published the following year. A rare signed copy thus. One of the most brilliant writers of our time. A fine collectible copy. . ISBN 0802123414.

Stock number: 21962. ISBN: 0802123414

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Machado, George
Four Men ("4 Men") : Photographs By George Machado 1996-1998

Imprint: Santa Monica, CA, Alluvial Publishing, 1998
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. Unpaginated. The photographer's second collection of male nudes. One of the most beautiful erotic art photography titles of the last decade of the 20th century. Limited Edition of 6000 copies. There is no ISBN. The only book published by Alluvial Publishing, which pioneered the high-quality male nude magazine with "Provocateur". The Limited Edition is now scarce. A brilliant production by Robert Rausch: Oversize-volume format. Pictorial hard boards with white titles printed on cover and spine, as issued. Photographs by George Machado. There is no text. Printed on pristine-white, thick coated stock paper in Milan, Italy to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents George Machado's "Four Men". The photographer's sequel to his breakthrough collection, "Masculine". The book is in four "fantasy" sequences, with one breathtakingly handsome all-American model appearing in each sequence: "Road to Morocco" (Martin James), "La Isla Bonita" (Matt), "The Cowboy Way" (Aaron Edwards), and "Viva Las Vegas" (Michael Walton). The desert, the island, the ranch (visually anticipating "Brokeback Mountain" by more than seven years), and the hedonistic lifestyle called Las Vegas all benefit from "Machado's use of light and shadow, his ability to match the pose, the subject, and the background, and most of all, his eye for the emotionally expressive and arresting qualities of the male form and face" (Frank Browning). An absolute "must-have" title for George Machado collectors. This title is a contemporary erotic art photography classic. This is one of few copies of the Limited Edition still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws: Worn, soiled, torn, and very heavily used, you name it. This is surely an accessible and lovely alternative. A scarce copy thus. 200 toned plates. One of the most brilliant photographers of the male nude. A fine copy. (SEE ALSO OTHER GEORGE MACHADO TITLE IN OUR CATALOG).

Stock number: 11573.

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Mahurin, Matt
Matt Mahurin: Photographs

Imprint: Santa Fe, NM, Twin Palms Publishing, 1999
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 96 pages. The artist/photographer's second collection. One of the finest art photography books of the last decade of the 20th century. Limited Slipcased Edition of 175 numbered and signed copies. Precedes and should not be confused with the regular trade edition. The Limited Edition is now scarce. An austerely elegant production by Matt Mahurin and Jack Woody: Oversize-volume format. Brown linen cloth boards with blind-stamped titles on the cover and spine, as issued. Photographs by Matt Mahurin. Matching black cloth slipcase with titles on the cover and spine. Printed in gravure on thick, uncoated stock paper by EBS in Verona, Italy to the highest standards. Without DJ, as issued. Presents "Matt Mahurin". The artist/photographer's most representative and finest work thus far. "In 1989, Twelvetrees Press published the first book of Matt Mahurin's haunted, singular, and puzzling images. After working for several years in digital imagery, writing, and directing a feature film, Mahurin returned to the simplicity of the camera and darkroom. The photographs reflect the mood and vision of his first monograph and include work from America, France, Nicaragua, Ireland, and Mexico. Mahurin's vision straddles two worlds: Daytime glimpses out of the corner of the mind's eye and night visions we might spy with our eyes closed. Ordinary moments captured in mid-gesture are infused with an unexpected ritualism. The photograph becomes a frozen prayer to the perpetual rhythm of everyday life" (Publisher's blurb). At his very best, Matt Mahurin is a transcendent artist who captures the inscrutable mystery and elusive beauty of our world, a kindred spirit of Ralph Eugene Meatyard, Clarence John Laughlin, and Keith Carter. An absolute "must-have" title for Matt Mahurin collectors. This copy is one of the Limited Slipcased Edition of 175 numbered and signed copies, indicated/numbered as such on the Front Limitation Page. It is very prominently and beautifully signed and dated (in the year of publication) in black ink-pen by the artist/photographer: "Matt Mahurin 1999". It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. This is one of few copies of the Limited Slipcased Edition still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online command as much as $500. This is surely an accessible and lovely alternative. A rare signed copy thus. 45 sheet-fed gravure plates. One of the most brilliant artist/photographers of our time. A fine collectible copy. (SEE ALSO OTHER MATT MAHURIN TITLES IN OUR CATALOG). ISBN 0944092616.

Stock number: 12936. ISBN: 0944092616

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Mahurin, Matt
Matt Mahurin: Photographs

Imprint: Pasadena, CA, Twelvetrees Press, 1989
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 100 pages. The artist/photographer's breakthrough debut collection. One of the most sensational art photography debuts of the last decade of the 20th century. Limited Edition of 3000 copies. Precedes and should not be confused with the second collection published by Twin Palms a full decade later (1999). The Limited Edition is now scarce. An austerely elegant production by Matt Mahurin and Jack Woody: Oversize-volume format. Maroon linen cloth boards with black titles embossed on cover and spine, as issued. Photographs by Matt Mahurin. Each of the images is presented on the right-hand page only. Printed in gravure on thick, uncoated stock paper in Tokyo, Japan to the highest standards. In matching DJ with black titles on the cover and spine, as issued. Presents, eponymously, "Matt Mahurin". A hypnotic collection. "This dream-like book of photographs contains images made from within a Texas prison, inside a mental hospital, and from such diverse locations as Paris, London, Ireland, New York City, Haiti, and Nicaragua. These dark, disquieting pictures are successful in their collective evocation of a world frighteningly askew" (Publisher's blurb). At his very best, Matt Mahurin is a transcendent artist who captures the inscrutable mystery and elusive beauty of our world, a kindred spirit of Ralph Eugene Meatyard, Clarence John Laughlin, and Keith Carter. An absolute "must-have" title for Matt Mahurin collectors. This copy is one of the Limited Edition, indicated as such on the Back Limitation Page. This title is a late-modern art photography classic. This is one of few copies of the Limited Edition still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare copy thus. 47 sheet-fed gravure plates. One of the most brilliant artist/photographer of our time. A fine collectible copy. (SEE ALSO OTHER MATT MAHURIN TITLES IN OUR CATALOG). ISBN 0942642376.

Stock number: 13044. ISBN: 0942642376

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Mahurin, Matt
Matt Mahurin: The Ram Edition

Imprint: Tokyo, Japan, Research Of Art Media (RAM), 1993
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in No Dust Jacket, As Issued. 47 pages. Collection of black-and-white and color photographs, presented as an Artist Book. Limited Edition of 2300 copies. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Matt Mahurin and Hideyuki Taguchi: Regular-sized volume format. Black velvet cloth boards with gilt-and-red lettering design embossed on the cover and spine, as issued. The design consists of his name in Roman alphabet rendered horizontally in gold and matching Japanese hiragana ("matomahurin") in vertical red Japanese characters. Photographs by Matt Mahurin. There is no text. Printed in gravure on thick uncoated stock paper by Toppan Printing Company in Tokyo, Japan to the highest standards. As expected of Japanese publishing, the nuances, warmth, and tonal range of the reproduction quality must be seen to be believed. Without DJ, as issued. Presents "Matt Mahurin". The photographer's finest and most representative work in a sumptuous collector's edition. In 1989, Twelvetrees Press published Matt Mahurin's debut collection of haunting and haunted, luminous and numinous images. After that auspicious debut, Mahurin stopped taking photographs. Working restlessly for several years in digital imagery, writing, and feature filmmaking, Mahurin finally returned to the simplicity of the camera and darkroom. The photographs reflect the mood and vision of his first monograph and include work from America, France, Nicaragua, Ireland, and Mexico. "Mahurin's vision straddles two worlds--daytime glimpses out of the corner of the mind's eye and night visions we might spy with our eyes closed. Ordinary moments captured in mid-gesture are infused with an unexpected ritualism. The photograph becomes a frozen prayer to the perpetual rhythm of everyday life" (Jack Woody). The book is presented as a triptych: The first is a series of black-and-white imagery; the second, a suite of extreme closeup portraits in color that is inspired by Japanese Classical painting; and the third, a concluding series of black-and-whites. Like the best photography books, the presentation is deceptively simple, and perfect. While Hujar evokes life's journey-unto-death, Mahurin celebrates life's perpetual cycles and the outer (black-and-white) and inner (color) worlds we all inhabit at the same time. At his very best, Mahurin is a transcendent artist who captures the inscrutable mystery and elusive beauty of our world in some of the most unforgettale photographs ever taken by a contemporary artist/photographer. An absolute "must-have" title for Matt Mahurin collectors. This copy is very prominently, neatly, and beautifully signed and inscribed in black pen on the title page by the artist/photographer: "For Kory & the shopgirl, Love, Matt". It is signed directly on the page itself, not on a tipped-in page. It is signed directly on the page itself, not on a tipped-in page. The recipients are named. This title is now collectible. As far as we know, this is the only such signed and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. 44 gravure plates. One of the most brilliant artist/photographers of our time. A fine copy. (SEE ALSO OTHER MATT MAHURIN TITLES IN OUR CATALOG). ISBN 4947671017.

Stock number: 13274. ISBN: 4947671017

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Maier, Vivian (Photographer); Cahan, Richard & Williams, Michael (Curators/Contributors)
Vivian Maier: Out Of The Shadows

Imprint: Chicago, IL, CityFiles Press, 2012
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. As New in As New Dust Jacket. 210 pages. Rare Vivian Maier collectible set. Pristine copies of "Vivian Maier: Out of The Shadows" and "Vivian Maier, Photographer" Exhibition Catalog. Posthumous collection of black-and-white photographs. One of the earliest and most beautiful books on the photographic art of Vivian Maier. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Michael Williams: Oversize-volume format. Black cloth boards with metallic-silver titles embossed on cover and spine, as issued. Photographs by Vivian Maier. Essays by Richard Cahan and Michael Williams. Printed on pristine-white, thick coated stock paper to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents, in its First Edition format, "Vivian Maier: Out of The Shadows". All in all, the single best Maier collection published by Team Cahan and Williams, matched only by "Vivian Maier: A Photographer Found" (2014) because of the latter's large scale. "Breathtaking photographs alongside revealing Interviews with those who knew her best, this volume is the first attempt to put Vivian Maier's work in context, and create a moving portrait of her as an artist. Though she created more than 100, 000 negatives during her lifetime, only a few were ever seen by others. Shortly after her death in 2009, the first group of her unseen photographs - gritty with humanity and filled with empathy and beauty - were shown online. What followed was a firestorm of attention, catapulting Maier from previous obscurity to being labeled as one of the Masters of street photography. Her work has appeared in numerous museum exhibits and a feature-length documentary on her life and art has already been planned. Features more than 300 duotone plates printed on 105# stock paper with flood varnish" (Publisher's blurb). Maier left behind a conservatively estimated 100, 000 photographs. Even though more than seven books and several documentaries of her life and work have already been released, they have barely scratched the surface. There is no overlap in any of the books in terms of content (except for "Vivian Maier: A Photographer Found", which brings together the images that are now identified with her together with never-before-published ones). An absolute "must-have" title for Vivian Maier collectors. This title is a contemporary photography classic. It comes with a pristine copy of "Vivian Maier, Photographer" Exhibition Catalog, which contains lovely photographs NOT found in any other book and is also rare. As far as we know, this is the only copy (with Exhibition Catalog) of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, pristine beauties. Please note: Copies available online are in innumerable subsequent printings. This is surely an accessible and lovely alternative. A rare set thus. 200 plates. The single greatest photographic discovery of our time. A fine collectible set. (SEE ALSO OTHER VIVIAN MAIER TITLES IN OUR CATALOG). ISBN 0978545095.

Stock number: 19973. ISBN: 0978545095

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Maksik, Alexander
A Marker To Measure Drift

Imprint: New York City, NY, Alfred A. Knopf, 2013
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in As New Dust Jacket. 230 pages. The author's breakthrough second novel. One of the most important literary events of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. Presents Alexander Maksik's "A Marker To Measure Drift". His mesmerizing second novel. "A hypnotic, spellbinding novel set in Greece and Africa, where a young Liberian woman reckons with a haunted past. Visceral and gripping, extraordinary in its depiction of physical and spiritual hungers. A novel about ruin and faith, barbarism and love, and the devastating memories that contain the power both to destroy us and to redeem us" (Publisher's blurb). An absolute "must-have" title for Alexander Maksik and contemporary literature collectors. This copy is very prominently and beautifully signed, dated (shortly after publication), and placed in black ink-pen on the title page by the author: "9/22/13 Alexander Maksik NYC". It is signed directly on the page itself, not on a tipped-in page. Laid-in are pristine copies of the Souvenir Program and Bookmark of the Brooklyn Book Festival 2013, during which event his signature was obtained. This title is a contemporary classic. This is one of few such signed and post-publication dated copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce signed copy thus. One of the most brilliant new voices in American literature. A fine copy. . ISBN 0307962571.

Stock number: 18358. ISBN: 0307962571

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Malcolm, Janet (Author); Avedon, Richard; Frank, Robert; Winogrand, Garry & Other Photographers
Diana & Nikon: Essays On The Aesthetic Of Photography

Imprint: Boston, MA, David R. Godine, 1980
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 165 pages. The author's collection of essays on subject and first book. Now considered a late-modern classic. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the 1997 Reissued Edition. Published in a small and limited first print run as a hardcover original only. In terms of sheer production values, it is superior in every way to the 1997 Edition. The First Edition is now rare. An austerely elegant production by David R. Godine: Regular-sized volume format. Purple cloth boards with metallic-silver titles embossed on spine, as issued. Text by Janet Malcolm. Photographs by various artist/photographers. Printed on pristine-white, archival stock paper in the United States to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents Janet Malcolm's "Diana & Nikon: Essays On The Aesthetic of Photography". One of the earliest and most insightful appreciations of photography from a Modernist perspective. Malcolm's aim is not to affirm or assert but to re-examine our conventional notions about photography. Her pioneering essays on Alfred Stieglitz, Edward Steichen, Edward Weston, Robert Frank, Irving Penn, Richard Avedon, William Eggleston, Garry Winogrand, and Harry Callahan remain as fresh and absorbing as when they were first published in 1980, nearly forty years ago. In these "case studies", Malcolm examines photography's growing maturity as an art that demands to be assessed and appreciated by people who take the arts seriously. She links this "threshold" development to photography's move away from its Pictorialist history, when it consciously mimicked painting, toward its alignment with Modernist aesthetics, which eventually allowed individual genius-photographers (like Robert Frank and Garry Winogrand) to find and develop their own distinctive profile and style. The single greatest photographic genre, "street photography", is inherently and indeed purely "photographic" (as opposed to "painterly"). Whereas all portrait photography, which has also equalled and in some cases, surpassed its predecessors in painting, will nevertheless always owe a residual debt to the traditional visual arts. An absolute "must-have" title for Janet Malcolm collectors. This copy is very prominently, neatly, and beautifully signed, dated (in the month and year of publication), and inscribed in black ink-pen on the half-title page by the author: "For Fred Rothenberg, a great craftsman with affection, Janet Malcolm, August 1980". It is signed directly on the page itself, not on a tipped-in page. The recipient is one of the most respected and successful commercial American photographers. This title is a great collection. As far as we know, this is the only such signed, publication-month dated, and inscribed copy of the First Hardcover Edition/First Printing available online and despite its imperfection (slight soiling on white DJ, but it's there) is in especially fine condition: Every single internal page is clean, crisp, and bright. Please note: Signed copies by Janet Malcolm are rare. Malcolm has remained an extreme introvert who has done no more than a few public signings in her career. We have NOT seen a copy as collectible as this association copy. A rare signed copy thus. One of the most brilliant American writers of our time. A fine collectible copy. (SEE ALSO OTHER JANET MALCOLM TITLES IN OUR CATALOG). ISBN 0879232730.

Stock number: 20523. ISBN: 0879232730

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Malcolm, Janet
The Crime Of Sheila Mcgough

Imprint: New York City, NY, Alfred A. Knopf, 1999
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 161 pages. The author's account on subject and the legal justice system in general. One of Janet Malcolm's finest (and most underrated) achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only that sold out shortly after publication. The First Edition is now scarce. Presents Janet Malcolm's "The Crime of Sheila McGough". A brilliant brief on human behavior and misbehavior. As she plunges deeper into the legal labyrinth, her quest for the truth and nothing but the truth leads her to some superb insights about that other form of imaginative advocacy, writing. "Why don't more people write like Malcolm? She is cast from the mold of the Eastern European intellectual: Beholden to Modernism, as familiar with Kundera's exile as she is with Freud's Vienna. This sensibility must grant her the detachment she sometimes so mercilessly employs, but it also gives her an unassailable passion for getting to the center of things" (The Boston Globe). "Without the thinner of common sense, the law is a toxic substance" (Janet Malcolm). An absolute "must-have" title for Janet Malcolm collectors. This title is a late-modern classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. One of the most brilliant American writers of our time. A fine copy. (SEE ALSO OTHER JANET MALCOLM TITLES IN OUR CATALOG). ISBN 0375405089.

Stock number: 2114. ISBN: 0375405089

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Mamet, David
Jafsie And John Henry: Essays

Imprint: New York City, NY, Free Press, 1999
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 171 pages. The author's sixth collection of essays. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents David Mamet's "Jafsie And John Henry". The poet of the working class as essayist. In this diverse collection, the writer turns his attention to subjects ranging from houses to Hollywood producers. Shares his reflections on the nature of creativity and the challenges and rewards of aging. David Mamet has also mined his "Jewishness" with increasing interest and genuine pathos. An absolute "must-have" title for David Mamet collectors. This title is a late-modern classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. Winner of the Drama Critic's Circle Award and the Obie Award. One of the finest American writers of our time. A fine copy. (SEE ALSO OTHER DAVID MAMET TITLES IN OUR CATALOG). ISBN 0684841207.

Stock number: 1132. ISBN: 0684841207

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Mamet, David
Lakeboat

Imprint: New York City, NY, Grove Press, 1981
Edition: First Edition

First Edition / First Printing. Fine in No Dust Jacket, As Issued. 111 pages. The author's seventh play. The First Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a softcover original only. The First Edition is now scarce. Pictorial softcovers with titles on the cover and spine, as issued. Text by David Mamet. Without DJ, as issued. Presents David Mamet's "Lakeboat". The one-time poet of the working class. David Mamet was the heir of Arthur Miller as the spokesman in the theatre for the "common man", ekeing out a precarious living and trying to live a life of dignity and pride in the face of often overwhelming odds. He exposed the lie to the so-called "American Dream" with power and conviction. If that sounds portentous, one must also be reminded that Mamet was, until his recent conversion, one of our funniest writers without meaning to be funny in the way entertainers are. An absolute "must-have" title for David Mamet collectors. This title is a late-modern classic. This is one of few copies of the First Edition/First Printing still available online and is in fine condition: Clean, crisp, and bright, a beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. Winner of the Drama Critic's Circle Award and the Obie Award. One of the finest American writers of our time. A fine copy. (SEE ALSO OTHER DAVID MAMET TITLES IN OUR CATALOG). ISBN 0394179250.

Stock number: 1117. ISBN: 0394179250

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Mamet, David
Reunion & Dark Pony: Two Plays

Imprint: New York City, NY, Grove Weidenfeld, 1990
Edition: First Edition

First Edition / First Printing. Fine in No Dust Jacket, As Issued. 53 pages. The author's thirteenth collection of plays. Two of David Mamet's finest achievements. The First Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited print run as a double bill and as a softcover original only. The First Edition is now scarce. Pictorial softcovers with titles on the cover and spine, as issued. Text by David Mamet. Without DJ, as issued. Presents David Mamet's "Reunion & Dark Pony: Two Plays". The poet of the working class. David Mamet was the heir of Arthur Miller as the spokesman in the theatre for the "common man", ekeing out a precarious living and trying to live a life of dignity and pride in the face of often overwhelming odds. He exposed the lie to the so-called "American Dream" with power and conviction. If that sounds portentous, one must also be reminded that Mamet was, until his recent conversion, one of our funniest writers without meaning to be funny in the way entertainers are. "Odd, original, beautifully constructed" (Richard Eder Front Cover Blurb). An absolute "must-have" title for David Mamet collectors. This title is a late-modern classic. This is one of few copies of the First Edition/First Printing still available online and is in fine condition: Clean, crisp, and bright, a beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. Winner of the Drama Critic's Circle Award and the Obie Award. One of the finest American writers of our time. A fine copy. (SEE ALSO OTHER DAVID MAMET TITLES IN OUR CATALOG). ISBN 080215171X.

Stock number: 1120. ISBN: 080215171X

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Mamet, David
The Cabin: Reminiscence And Diversions

Imprint: New York City, NY, Turtle Bay Books/Random House, 1992
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 157 pages. The author's fourth collection of essays. One of David Mamet's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited print run as a hardcover original only. The First Edition is now scarce. Presents David Mamet's "The Cabin". Wonderfully and disarmingly autobiographical set-pieces. This "pleasurable amalgam of travelogue and reminiscence explores Mamet's early years in Chicago and New York, and his current life as a successful playwright" (Publisher's blurb). David Mamet mines his "Jewishness" with increasing interest and genuine pathos, these brilliant digressions being no exception. As he relives the "scenes" in his life, the care he takes in describing places and people is rich and incomparable. Anyone who thinks that the truth is in the details will soon realize that remembering and reminiscing are, or can be, the most noble acts of the writer's imagination. An absolute "must-have" title for David Mamet collectors. This copy is very prominently and beautifully signed, placed, dated, and inscribed in blue ink-pen on the title page by the author: "Best wishes, David Mamet Three Lives & Co. NYC, January 1993". It is signed directly on the page itself, not on a tipped-in page. There is no recipient named. Three Lives & Company is the legendary independent bookstore that many writers, Mamet included, regarded as a second home. Michael Cunningham describes it in "The Hours" as "a sanctuary, the center of the civilized universe". Jonathan Franzen used a photograph of the bookstore as the cover for his essay collection, "How To Be Alone". This title is a late-modern classic. As far as we know, this is the only such signed and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. It is the single most beautiful signed Mamet book we have ever seen. Please note: Mamet is a prolific writer, but only an occasional signer, who does not tour to promote his books. Signed copies of his books are quite scarce. Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A rare signed copy thus. Winner of the Drama Critic's Circle Award and the Obie Award. One of the finest American writers of our time. A fine copy. (SEE ALSO OTHER DAVID MAMET TITLES IN OUR CATALOG). ISBN 0679415580.

Stock number: 8801. ISBN: 0679415580

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Mamet, David
The Old Religion

Imprint: New York City, NY, Free Press, 1997
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 194 pages. The author's second novel. One of David Mamet's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents David Mamet's "The Old Religion". Revisits his Jewish identity from his singularly (and despite the title, secularly) American perspective. David Mamet has mined his "Jewishness" before, with increasing interest and genuine pathos; his second novel is a continuation of that productive mining. "Only David Mamet could take us on this mesmerizing journey inside the mind of a Southern Jew falsely accused of murder and produce a masterpiece of imaginative philosophy, religion, and psychology. This is one journey you will never forget" (Alan Dershowitz). An absolute "must-have" title for David Mamet collectors. This title is a late-modern classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. Winner of the Drama Critic's Circle Award and the Obie Award. One of the finest American writers of our time. A fine copy. (SEE ALSO OTHER DAVID MAMET TITLES IN OUR CATALOG). ISBN 0684841193.

Stock number: 1237. ISBN: 0684841193

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Mamet, David (Author) & Sultan, Donald (Artist)
Warm And Cold

Imprint: New York City, NY, Grove Press, 1988
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. Unpaginated. The author's debut children's book. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Donald Sultan: Regular-sized volume format. Text by David Mamet. Drawings by Donald Sultan, who is a lifelong friend of the author and frequent collaborator. In pictorial DJ with titles on the cover and spine, as issued. Presents David Mamet's and Donald Sultan's "Warm And Cold". Their fruitful collaboration. David Mamet has mined his "Jewishness" with increasing interest and genuine pathos. The combination with Donald Sultan's exquisite work is incredibly moving and memorable. An absolute "must-have" title for David Mamet and Donald Sultan collectors. This title is a late-modern classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. Winner of the Drama Critic's Circle Award and the Obie Award. One of the finest American writers of our time. A fine copy. (SEE ALSO OTHER DAVID MAMET AND DONALD SULTAN TITLES IN OUR CATALOG). ISBN 0802110843.

Stock number: 1376. ISBN: 0802110843

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Man In Formaldehyde (Artist)
Man In Formaldehyde: "copper Sulphate Crystals"

Imprint: Isle OF Wight, United Kingdom, Pointy Bird Records, 2003
Edition: First Edition

First Edition / First Printing. Fine in No Dust Jacket, As Issued. Unpaginated. The artist's breakthrough debut CD album. One of the cult music albums of our time. "Copper Sulphate Crystals" features eleven multi-faceted and hypnotic soundtracks by Man In Formaldehyde. The CD sleeve utilizes a magnificent (and uncredited) graphic art design that is also now considered a classic CD cover art and design. Despite the reference to Damien Hirst's iconic sculpture, Man In Formaldehyde is "a recording artist and sonic innovator rather than the horrific product of bovine vengeance upon our species. The often bizarre constituent parts of his sound have a specimen-like quality about them. Before long, you are revelling in their frozen beauty, and the result is quite moving. Beautifully strange and strangely beautiful, this album is the best of its kind since Susumu Yokota's 'Grinning Cat', and it might well be a classic, a little like The Boards of Canada, but with melodies and an attention span" (Jez Wells). An absolute "must-have" title for Man In Formaldehyde listener/collectors. This is an Import CD, was not distributed widely even in the United Kingdom, and is now collectible. This is one of few copies still available online, is still in the manufacturer's original shrinkwrap, and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare copy thus. One of the most brilliant musicians of our time. A fine copy. . ISBN B000CAAGDO.

Stock number: 16628. ISBN: B000CAAGDO

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Manea, Norman (Translated by Various Authors)
On Clowns: The Dictator And The Artist

Imprint: New York City, NY, Grove Weidenfeld, 1992
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 178 pages. The author's breakthrough debut collection of essays on totalitarianism. The first appearance of the title in English and in the United States. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Norman Manea's "On Clowns" in a felicitous English translation. A great and moving testament of a book. Norman Manea lived in Romania under the Ceausescu conjugal dictatorship and explores in this book the realms of pain, anger, and fear that confront the creative mind in a tyranny. The subject is not original to Manea. Among the great modern texts on the subject of absolute tyranny, Hannah Arendt's "On the Origins of Totalitarianism" and Czeslaw Milosz's "The Captive Mind" remain definitive. Manea's unique contribution is his scrupulous and unsparing examination of the system's effect on art and the artist. In this respect, only the Hungarian Miklos Haraszti's "The Velvet Prison" comes to mind as being of comparable power, insight, and passion. An absolute "must-have" title for Norman Manea collectors. This title is a great book. This is one of few copies of the First American Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. One of the greatest writers of our time. A fine copy. (SEE ALSO OTHER NORMAN MANEA TITLE IN OUR CATALOG). ISBN 0802114156.

Stock number: 366. ISBN: 0802114156

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Mankell, Henning (Translated by Laurie Thompson)
Kennedy's Brain: The Limited Edition

Imprint: Gladestry, United Kingdom, The Scorpion Press, 2007
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in As New Dust Jacket. 328 pages. The author's "stand-alone" thriller/novel. One of Henning Mankell's finest achievements. Limited Edition of 80 numbered and signed copies. Published as part of the eminently collectible Scorpion Press Series of great contemporary mystery and thriller novels. Precedes and should not be confused with the regular trade edition, British or American. The Limited Edition is now scarce. An austerely elegant production by The Scorpion Press: Regular-sized volume format. Marbled hard boards with maroon leather overboards and gilt titles embossed on spine, as issued. Text by Henning Mankell. Introduction by Dan Fesperman. Green topstain. Printed on archival stock paper in the United Kingdom to the highest standards. In glassine DJ, as issued. Presents, in its Limited Edition collectible format, Henning Mankell's "Kennedy's Brain" in a felicitous English translation. His so-called AIDS novel. A passionate cause on his part, the AIDS crisis led him to publish "I Die, But My Memory Lives On" in 2002. The present title refers to the factual, post-autopsy disappearance of JFK's brain, a metaphor for and an integral element of the narrative. "When Louise Cantor finds her twenty-eight year old son dead in his apartment, everything indicates it was a suicide. Louise, however, refuses to accept this, and with nothing more than few suspicions and a mother's intuition, she and her ex-husband set out to find what happened. What they discover is a dark underworld of people exploiting the victims of the AIDS epidemic: Corrupt businessmen dealing infected blood, suspicious researchers carrying out dangerous tests, and lecherous drug dealers peddling black-market medicine. Their investigation takes them across three continents and leads them into mighty financial institutions and the highest corridors of power, where suddenly their own lives are at stake" (Publisher's blurb). Mankell's overriding theme is evil as the displacement of human values by greed (driven by market forces), by pathology (severe psychic collapse as a result of modernity), and most viciously, by an abstract and misguided "good cause" (well-meaning individuals blinded by something "greater than themselves" and "bigger than humanity"). His evocation of the erosion of the human scale in a "global" world has prompted the great novelist Michael Ondaatje to describe his thrillers as "moral literature". An absolute "must-have" title for Henning Mankell collectors. This copy is one of the Limited Edition, indicated/numbered as such on the Front Limitation Page. It is very prominently and beautifully signed in black ink-pen by Henning Mankell. This title is a contemporary classic. This is one of few copies of the Limited Edition still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. One of the greatest writers of our time. A fine copy. (SEE ALSO OTHER HENNING MANKELL TITLES IN OUR CATALOG). ISBN 1873567855.

Stock number: 17455. ISBN: 1873567855

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Mannikko, Esko (Photographer) & Simona, Segre (Contributor)
100% Cashmere

Imprint: Ballantyne, Scotland, Ballantyne Cashmere, 2003
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 80 pages. Collection of color photographs. One of the most beautiful photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. Privately commissioned, the book was not widely distributed or sold. The First Edition is now rare. An elegant production by Esko Mannikko and Petri Kuokka: Oversize-volume format. Sturdy brown leatherette pictorial hard boards with photographic reproduction pasted on cover and pale blue titles embossed on cover and spine, as issued. Photographs by Esko Mannikko. Essay by Segre Simona. Printed on pristine-white, thick uncoated stock paper in Finland to the highest standards. Without DJ, as issued. Commissioned by The Ballantyne Cashmere Company as a commemorative photographic record. Presents Esko Mannikko's "100% Cashmere". Photographs of the Scottish factory workers of Ballantyne Cashmere in Innerleithen, Scotland. "Made In Scotland" cashmere is regarded as the finest cashmere in the world, just as cashmere itself is regarded as one of the most beautiful fabrics ever invented by Man. The words "sheer" and "pure" come to mind when one speaks of cashmere. Like genuine cotton and silk, the finished product is 100% handmade, every sweater a product of an artisanal tradition, and a labor of love. Esko Mannikko's focus is on place and people. In "Mexas", he showed how the place is characterized by its Mexican-American inhabitants, and vice versa. He does the same here, with quiet yet brilliant effect: The suite of various workers whose lips perilously hold a needle from which a colorful thread hangs amounts to one of the most moving portraiture in contemporary art photography. Most photography is inherently about travel, comfort, leisure, sensuality, relaxation, and luxury. There are very few great photography books (Bill Owens' "Working" comes to mind) about work. Mannikko is an exemplary anomaly: His work thus far is about work, specifically work that is deeply connected to rural land. Even when he is abroad, his interest there is in the place's roots, craft, and centuries-old traditions. Mannikko's lifelong subject, the decline of rural Finland, is off-putting, even depressing, something people say they do not want in their lives, as if it were ugly or toxic (an accusation that the American writer Annie Proulx had to endure all the way to "Brokeback Mountain"). This is ironic because Mannikko's work breathes whereas most contemporary art and photography are lifeless exercises in Mannerist cleverness. Mannikko is a Classicist, a rarity in our shallow "post-modern" art world. It is important to be reminded that in a world saturated and choking with derivative images from glossy magazines, he is The Real Thing, a great artist: His impeccable compositional sense and formalist use of color as well as his aesthetic rigor and faultless eye are not just "world-class". They set Mannikko apart from other living photographers, and make him an artist in a class of his own. Mainstream recognition of his genius is long overdue. An absolute "must-have" title for Esko Mannikko collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Esko Mannikko. It is signed directly on the page itself, not on a tipped-in page. This title is a great photography book. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. 50 color plates. Esko Mannikko's "Naarashauki: The Female Pike" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER ESKO MANNIKKO TITLES IN OUR CATALOG). ISBN 0954442504.

Stock number: 11526. ISBN: 0954442504

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Mannikko, Esko (Photographer); Jaukkuri, Maaretta & Dault, Gary Michael (Contributors)
Mexas

Imprint: Gothenburg, Sweden, Hasselblad Center/Esko Mannikko, 1999
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 80 pages. Collection of color photographs. One of the most important photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. An elegant production by Esko Mannikko and Petri Kuokka: Oversize-volume format. Sturdy pale blue pictorial hard boards with photographic reproduction pasted on cover and metallic-silver titles embossed on cover and spine, as issued. Photographs by Esko Mannikko. Essays by Maaretta Jaukkuri and Gary Michael Dault. Printed on pristine-white, thick uncoated stock paper in Finland to the highest standards. Without DJ, as issued. Presents Esko Mannikko's "Mexas". Photographs of Batesville and San Antonio, Texas. All of the American subjects are of Mexican descent. Hence Mannikko's clever conflation, "Mexas". Mannikko's lifelong subject, the decline of agrarian life, of rural Finland, is tenderly mirrored by the decline of rural America in this collection. It is off-putting, even depressing, something people say they do not want in their lives, as if it were ugly or toxic, an accusation that the American writer Annie Proulx had to endure all the way to "Brokeback Mountain". This is ironic because Mannikko's work breathes whereas most contemporary art and photography are lifeless exercises in Mannerist cleverness. Mannikko is a Classicist, a rarity in our shallow "post-modern" art world. It is important to be reminded that in a world saturated and choking with derivative images from glossy magazines, he is The Real Thing, a great artist: His impeccable compositional sense and formalist use of color as well as his aesthetic rigor and faultless eye are not just "world-class". They set Mannikko apart from other living photographers, and make him an artist in a class of his own. Mainstream recognition of his genius is long overdue. An absolute "must-have" title for Esko Mannikko collectors. This copy is very prominently and beautifully signed in blue ink-pen on the title page by Esko Mannikko. It is signed directly on the page itself, not on a tipped-in page. This title is a great photography book. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. 50 color plates. Esko Mannikko's "Naarashauki: The Female Pike" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER ESKO MANNIKKO TITLES IN OUR CATALOG). ISBN 952910703X.

Stock number: 11287. ISBN: 952910703X

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Mannikko, Esko
Naarashauki: The Female Pike

Imprint: Oulu, Finland, Kaleva Kustannus Oy/Esko Mannikko, 2000
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 144 pages. Retrospective collection of color photographs. One of the greatest photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only that sold out shortly after publication. The First Edition is now rare. An austerely elegant production by Esko Mannikko and Petri Kuokka: Oversize-volume format. Maroon leatherette pictorial hard boards with photographic reproduction pasted on the cover and pale gray titles embossed on the cover and spine, as issued. Photographs and text by Esko Mannikko. Printed on pristine-white, thick uncoated stock paper in Finland to the highest standards. Without DJ, as issued. Presents Esko Mannikko's "Naarashauki: The Female Pike". Austerely yet breathtakingly beautiful photographs of his native Finland, a dying rural Finland kept defiantly alive by Esko Mannikko's artistry. Mannikko's lifelong subject, the decline of rural Finland, that is to say, the decline of agrarian life, is off-putting, even depressing, something people say they do not want in their lives, as if it were ugly or toxic (an accusation that the American writer Annie Proulx had to endure as well). This is ironic because Mannikko's work breathes whereas most contemporary art and photography are lifeless exercises in Mannerist cleverness. Mannikko is a Classicist, a rarity in our shallow "post-modern" art world. It is important to be reminded that in a world saturated and choking with derivative images from glossy magazines, he is The Real Thing: A great artist. His impeccable compositional sense and formalist use of color as well as his aesthetic rigor and faultless eye are not just "world-class"; they set Mannikko apart from other living photographers, and make him an artist in a class of his own. An absolute "must-have" title for Esko Mannikko collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Esko Mannikko. It is signed directly on the page itself, not on a tipped-in page. This title is a great art photography book. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies of the true first (and even subsequent editions) available online command up to $800. This is surely an accessible and lovely alternative. A rare signed copy thus. 108 color plates. Esko Mannikko's "Naarashauki: The Female Pike" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER ESKO MANNIKKO TITLES IN OUR CATALOG). ISBN 9529127456.

Stock number: 11394. ISBN: 9529127456

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Mantel, Hilary
The Assassination Of Margaret Thatcher And Other Stories

Imprint: London, England, Fourth Estate, 2014
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 245 pages. Retrospective collection of short stories. One of Hilary Mantel's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the American Edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Hilary Mantel's "The Assassination of Margaret Thatcher And Other Stories". Ten provocative, disturbing tales that go beyond mere titillation, surprise, and suspense. "Delivers on its promises: The promise built by Mantel's reputation as one of the great contemporary writers, the promise made by its shocking title, and the promise inherent in the genre of short stories. Pokes and prods and scratches at our tiny collective wounds, opening them into something much bigger. Readers may find the stories uncomfortable, but also hard to put down. Exquisite. You can't help but get sucked in" (The Chicago Tribune). "At the conclusion of 'Winter Break', a ghastly truth is revealed, and like the woman who witnesses it, we want to look away. But only until the next page. They don't hand out Bookers like candy, and these stories further explain why Mantel has two on her mantel (so far) " (Erin Kodicek). An absolute "must-have" title for Hilary Mantel collectors. This copy is very boldly and beautifully signed and inscribed ("lined") in black pen-marker on the title page by the author: "F---Rejoice! Hilary Mantel". It is signed directly on the page itself, not on a tipped-in page. The inscription is the very last line of the title story, and the last line of the book. Laid-in is a pristine copy of the Souvenir Announcement of the event during which her signature was obtained. It also comes with a pristine copy of the First American Edition/First Printing as a bonus reader's copy. This title is a contemporary classic. As far as we know, this is the only such signed and inscribed ("lined") copy of the First Hardcover Edition/First Printing (British) available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Precedes and should NOT be confused with the American Edition. A rare signed copy thus. Winner of the Booker Prize in 2009 for "Wolf Hall". Winner of the Booker Prize in 2012 for "Bring Up The Bodies". One of the most brilliant writers of our time. A fine set. . ISBN 1627792104.

Stock number: 21960. ISBN: 1627792104

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Mapplethorpe, Robert (Photographer) & Sischy, Ingrid (Contributor)
Robert Mapplethorpe: Pictures

Imprint: Santa Fe, NM, Arena Editions, 1999
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. As New in As New Dust Jacket. 220 pages. Posthumous collection of sex pictures. One of the most important photography books of the 20th century. Limited Edition of 2500 copies. Most of the copies were never actually printed because the publisher went out of business. The Limited Edition is now rare. A brilliant production by James Crump: Oversize-volume format. Cloth boards with titles embossed on spine, as issued. Photographs by Robert Mapplethorpe. Essay by Ingrid Sischy. Printed on pristine-white, thick coated stock paper by EBS in Italy to the highest standards. In publisher's original shrinkwrap. In pictorial DJ with titles on the cover and spine, as issued. Presents Robert Mapplethorpe's "Pictures". His sex-act pictures. Because he achieved fame only towards the end of a career abruptly cut short by AIDS, many people still think of Mapplethorpe as an Eighties icon. Although he began taking photographs in 1970, he remained a cult figure for the rest of his brief life, then achieved "breakthrough" status with "Black Book" (1986), which made him notorious and world-famous, a cultural, not just a photographic, phenomenon. And then he died. A Mapplethorpe photograph is like the drawing or painting of a Master draftsman or artist: It is characterized by painstaking attention to detail, an impeccable eye, and an unerring sense of composition. The Mapplethorpe "look" is both coolly iconic, sculptural, and geometric, and warmly transcendent, spiritual, and ethereal at the same time. Ingrid Sischy argues that Mapplethorpe was never interested in showing what he saw, but rather in documenting what he experienced, believed in, and ultimately died for. He and his tirelessly inventive sexual partners practiced what Genet and the other great European eroticists could only evoke in delirious reverie. An unflinching look at sex that will shock and make even the most jaded viewer flinch. An absolute "must-have" title for Robert Mapplethorpe collectors. This title is a great photography book. This is one of few copies of the Limited Edition still available online, is still in the publisher's original shrinkwrap, and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws yet are priced as though they had collectible value. This is surely an accessible and lovely alternative. A rare copy thus. 100 duotone plates. Robert Mapplethorpe's "Lady Lisa Lyon" (1983), "Black Book" (1986), and "Pictures" (1999) are regarded as three of the most important photography books of the 20th century. One of the most provocative and important artist/photographers of the 20th century. A flawless collectible copy. (SEE ALSO OTHER ROBERT MAPPLETHORPE TITLES IN OUR CATALOG). ISBN 1892041162.

Stock number: 15201. ISBN: 1892041162

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Marai, Sandor (Translated by George Szirtes)
Portraits Of A Marriage

Imprint: New York City, NY, Alfred A. Knopf, 2011
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 375 pages. The fourth novel by the author to be translated into English. One of Sandor Marai's greatest achievements. The first appearance of the title in English and in the United States. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Sandor Marai's "Az igazi" in a felicitous English translation. An exploration of an age-old theme, the love triangle, with Marai's characteristic twists. "A wealthy couple in bourgeois society, Peter and Ilonka appear to enjoy a fine union. Their home is tastefully decorated; their clothes are well-tailored; they move in important circles. And yet, to hyper-sensitive Ilonka, her choice in decor is never good enough, and her looks are never fair enough to fully win the love of her husband, who has carried with him a secret that has long tormented him: Peter is in love with Judit, a peasant and servant in his childhood home" (Publisher's blurb). The posthumous discovery of the work of Sandor Marai, who published more than 40 books in Hungarian before committing suicide in 1989, is one of the most important literary events of our time: A great but forgotten voice from the 20th century is being heard for the very first time by a whole new generation of readers in an entirely different time. "Validates the nagging suspicion that Sandor Marai (1900-89) is one of the great modern novelists, in the same league as Gabriel Garcia Marquez, with whom he shares many qualities. The delay in acknowledging this comes from the tragic happenstance, at least for English readers, that Marai wrote in Hungarian, a language not widely translated. The confinement of a writer of Marai's talent, at once dramatic and witty, to a language of so few readers seems almost criminal. Of course, Marai wouldn't have felt this way. He was passionately devoted to Hungarian, and he referred to his language as 'his only homeland' " (The Washington Post). An absolute "must-have" title for Sandor Marai collectors. This title is a great book. This is one of few copies of the First American Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Sandor Marai's novels have now become collectible in translation. Copies of "Embers", his first novel to be translated into English, command up to $500 online. A scarce copy thus. One of the greatest writers of the 20th century. A fine copy. (SEE ALSO OTHER SANDOR MARAI TITLE IN OUR CATALOG). ISBN 1400045010.

Stock number: 19754. ISBN: 1400045010

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Marcopoulos, Ari (Photographer) & Heiss, Arianna (Contributor)
Even The President Of The United States Sometimes Has Got To Stand Naked

Imprint: Zurich, Switzerland, JRP/Ringier Publishers, 2005
Edition: First Edition
Binding: Hardback
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 160 pages. Exhibition catalog presented as an Artist Book. One of the most beautiful art photography books of our time. The first and only edition. Published in a small and limited print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Ari Marcopoulos and Gavillet & Rust: Regular-sized volume format. Pictorial hard boards with titles on the spine, as issued. Photographs by Ari Marcopoulos. Afterword Essay by Arianna Heiss. Printed on pristine-white, thick coated stock paper in Zurich, Switzerland to the highest standards. Without DJ, as issued. Published on the occasion of the retrospective exhibition of the same name held at the P. S.1/Museum of Modern Art (MOMA) Long Island from October 30, 2005 through January 23, 2006. Presents Ari Marcopoulos' "Even The President of The United States Sometimes Has Got To Stand Naked". Family album, photographs of himself, his wife, and his two sons, Cairo and Ethan, interspersed with dazzling landscape photographs taken in Japan, Europe, and the United States. The Marcopoulos family is typical and attractive. Like all families, the kids get into accidents, get sick, have nosebleeds, root canal, and scabs. Perhaps the best way to put Marcopoulos' achievement in perspective is to compare and contrast it with Nan Goldin's "The Ballad of Sexual Dependency". While the latter is about coupling and all the pain and passion that come with the territory, "Even The President of the United States Sometimes Has Got To Stand Naked" is about family life, its quotidian ups and downs. There are sexually explicit images of Marcopoulos and his wife making love, but it looks so normal and even funny compared to the anguish that is palpable on every page of Goldin's classic. As Arianna Heiss points out, Ari's family photos are about photography itself, as was once famously observed by one of its most astute critics: "Photographs are, by virtue of being photographs, touched by pathos. They express a feeling both sentimental and implicitly magical: They are attempts to contact or lay claim to another reality" (Susan Sontag). An absolute "must-have" title for Ari Marcopoulos collectors. This copy is very prominently and beautifully signed in blue ink-pen on the title page by Ari Marcopoulos. It is signed directly on the page itself, not on a tipped-in page. This title is now collectible. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. 81 color plates. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER ARI MARCOPOULOS TITLES IN OUR CATALOG). ISBN 3905701359.

Stock number: 13200. ISBN: 3905701359

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Marcus, Ben
The Age Of Wire And String: Stories

Imprint: New York City, NY, Alfred A. Knopf, 1995
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 145 pages. The author's breakthrough debut collection of short stories. One of the most important literary debuts of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents, in its First Edition format, Ben Marcus' "The Age of Wire And String". At its best, worthy of being classed with Pynchon and Saunders as one of a handful of literary works that have helped keep the Experimental Sublime in American literature alive and thrilling. "The most audacious literary debut in decades: Witty, startlingly inventive, funny, fundamentally disturbing" (Robert Coover). "Utterly wonderful and beautiful. All the elements of ordinary life systematically re-combine to give substance to feeling and sensation, our deepest and most hidden knowledge of home" (Donald Antrim). "Evades classification, persisting in your mind because of its ardent prose. Uses words as they once were, as incantations, as spells to summon up the contorted beings of the imagination" (Matthew De Abaitua). An absolute "must-have" title for Ben Marcus collectors. This copy is very prominently, neatly, and beautifully signed, placed, dated, and inscribed in black ink-pen on the half-title page by the author: "To L. L. With best wishes, in appreciation, Ben Marcus Providence 13 December 1996". It is signed directly on the page itself, not on a tipped-in page. The recipient is initialled, not named, and is unmistakably personally known to the author. This title is a contemporary classic. As far as we know, this is the only such signed, placed, dated, and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A rare signed copy thus. One of the most brilliant American writers of our time. A fine copy. . ISBN 1847086381.

Stock number: 21274. ISBN: 1847086381

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Mark, Mary Ellen
Falkland Road: Prostitutes Of Bombay

Imprint: Gottingen, Germany, Gerhard Steidl Druckerei Und Verlag, 2005
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 124 pages. New And Expanded Edition of the photographer's classic. The First Edition Thus. Published in a small and limited print run of 1500 copies that sold out shortly after publication. Mark stated that the book is vastly superior in terms of production values to the original. The First Edition Thus is now scarce. A brilliant production by Mary Ellen Mark and Diana Hass: Oversize-volume format. Blue cloth boards with metallic-silver titles embossed on spine, as issued. Photographs and text by Mary Ellen Mark. Printed on pristine-white, thick coated stock paper by Steidl in Gottingen, Germany to the highest standards. The reproduction quality is outstanding in every respect. In pictorial DJ, with a portrait of "Putla" on the cover, and titles on the cover and spine, as issued. Re-presents, in a new and definitive edition, Mary Ellen Mark's "Falkland Road". A heartbreakingly beautiful book. The unflinching photographs that Mary Ellen Mark took of Falkland Road in Bombay (between October 1978 and January 1979), finally presented in the right size as well as the warm and vivid colors she sought, a major inadequacy of the original edition. The photographs' fine nuances were lost in the latter, which was unquestionably ground-breaking, but could have been printed better. Falkland Road is a microcosm of India, without the pomp and circumstance, without The Rich and Powerful. Mary Ellen Mark's identification with her subjects is absolute and unconditional. These are the only Indians she cared to know, and it took her ten years of annual visits to earn their trust before they finally permitted her to take pictures. The prostitutes are women as young as thirteen as well as stunningly beautiful "transvestites" (since they all have full-grown breasts and other body modifications, they would be called "transgender" today). Many of them did not choose to become prostitutes. They were sold off by their parents or forced into prostitution by abject poverty. They could also have left, escaped, or gone back to the rural village they called home. So why remain a prostitute? "Given the choice, I would rather have stayed in my village. But if I stayed there, I would never have known what I missed" is the complex and eloquent answer one of them gives. When the time came for Mary Ellen Mark to say goodbye, she began to cry. "You shouldn't weep. You should say goodbye with your head up and proud and then leave. You'd better not forget me" is the admonition she gets. Mary Ellen Mark died on May 25, 2015, Memorial Day, at the age of 75. An absolute "must-have" title for Mary Ellen Mark collectors. This copy is very prominently and beautifully signed in black pen-marker on the title page by Mary Ellen Mark. It is signed directly on the page itself, not on a tipped-in page. This title is a great photography book. This is one of few such signed copies of the New And Expanded Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies of the 1981 First Edition available online command between $500 and $1000 depending on condition. Apart from the fact that this is an infinitely superior production (according to Mary Ellen Mark herself), this is surely an accessible and lovely alternative. A rare signed copy thus. 65 color plates. Voted by American Photo Magazine as the most important and most influential female photographer of all time. A fine collectible copy. (SEE ALSO OTHER MARY ELLEN MARK TITLES IN OUR CATALOG). ISBN 3865211283.

Stock number: 9596. ISBN: 3865211283

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Mark, Mary Ellen (Photographer) & Naef, Weston (Contributor)
Mary Ellen Mark: Exposure: The Iconic Photographs

Imprint: London, England, Phaidon Press, 2005
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in As New Dust Jacket. 288 pages. Massive retrospective collection of photographs. The single most complete volume on the photographic art and achievement of Mary Ellen Mark. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the Softcover Edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. An austerely elegant production by Phaidon Press and Mary Shanahan: Oversize-volume format. The book weighs 6 pounds. Pristine-white hard boards with metallic-silver titles embossed on spine, as issued. Photographs and Afterword by Mary Ellen Mark. Essay, "Family Ties", by Weston Naef, Curator of The Photography Department, Getty Museum Los Angeles. Printed on pristine-white, thick coated stock paper to the highest standards. In pristine-white DJ with titles on the cover and spine, as issued. Published to celebrate Mary Ellen Mark's 40th Anniversary Year as a photographer in 2005. Presents Mary Ellen Mark's "Exposure: The Iconic Photographs". Her life-work in one volume. She made her first pictures in Turkey on a Fulbright Fellowship in 1960. Her photographs in the 1970's of Bombay brothels were published as "Falkland Road". Together with "Ward 81", the collection confirmed her stature as one of the most provocative documentary photographers of our time. "Mark's pictures are a celebration of humanity in its most diverse and eccentric forms. Circuses, gypsy camps, children yearning for adulthood, the poor and destitute are some of her recurring themes. Mark has the unique ability to capture gestures and expressions that translate the intense emotions of her subjects. Compassionate but never literal, her pictures can be humorous, tragic, enigmatic, shocking, and often, all of these simultaneously. Mark's images provide intimate insights into the lives of others, presenting compelling stories of human strength and suffering" (Winston Naef). Mary Ellen Mark has included a generous selection of photographs that appear in book form for the very first time. Mary Ellen Mark died on May 25, 2015, Memorial Day, at the age of 75. An absolute "must-have" title for Mary Ellen Mark collectors. This copy is very prominently, neatly, and beautifully signed in black pen-marker on the half-title page by Mary Ellen Mark. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary photography classic. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. 118 duotone, 17 color plates. Voted by American Photo Magazine as the most important and most influential female photographer of all time. A fine collectible copy. (SEE ALSO OTHER MARY ELLEN MARK TITLES IN OUR CATALOG). ISBN 0714844047.

Stock number: 19682. ISBN: 0714844047

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Marquez, Gabriel Garcia (Translated by Gregory Rabassa)
In Evil Hour

Imprint: New York City, NY, Harper & Row, 1979
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 183 pages. The author's fourth work of fiction to be translated into English. One of Gabriel Garcia Marquez's finest achievements. The first appearance of the title in English and in the United States. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Gabriel Garcia Marquez's "La Mala Hora" in a felicitous English translation. Written immediately before and is the precursor to the author's masterpiece, "Cien Anos de Soledad" ("One Hundred Years of Solitude"). The novel about a Colombian river town possessed by evil spirits unmistakably points to the author's eventual flowering and greatness, and is a "stand-alone" achievement in and of itself. "The colorful idiosyncrasies of character are present for us to marvel over again and again" (The New Republic). An absolute "must-have" title for Gabriel Garcia Marquez collectors. This title is a late-modern classic. This is one of few copies of the First American Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. Winner of the Nobel Prize for Literature in 1982. One of the greatest writers of the 20th century. A fine copy. (SEE ALSO OTHER GABRIEL GARCIA MARQUEZ TITLES IN OUR CATALOG). ISBN 0060114142.

Stock number: 20596. ISBN: 0060114142

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Martel, Yann
The High Mountains Of Portugal

Imprint: New York City, NY, Spiegel & Grau, 2016
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in As New Dust Jacket. 332 pages. The author's fourth novel. One of the most important literary events of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly copies that are signed on a tipped-in page. Published in a small and limited first print run as a hardcover original only and simultaneously in Canada and the United States. "Autographed Copy" round white sticker pasted in front. Presents Yann Martel's "The High Mountains of Portugal". A triumphant achievement. "In Lisbon in 1904, a young man named Tomas discovers an old journal. It hints at the existence of an extraordinary artifact that, if he can find it, would redefine history. Traveling in one of Europe's earliest automobiles, he sets out in search of this strange treasure. Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomas' quest. Fifty years on, a Canadian Senator takes refuge in his ancestral village in Northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: A chimpanzee. And there the century-old quest will come to an unexpected conclusion" (Publisher's blurb). "We are fortunate to have brilliant writers using their fiction to meditate on a paradox we need urgently to consider: The unbridgeable gap and the unbreakable bond between human and animal, our impossible self-alienation from our world. Martel's semi-surreal, semi-absurdist mode is well-suited to exploring the paradox. The moral and spiritual implications of his tale have a quality of haunting tenderness" (Ursula K. Le Guin). "Just as ambitious, just as clever, just as existential and spiritual as 'Life of Pi' " (San Francisco Chronicle). An absolute "must-have" title for Yann Martel collectors. This Autographed Copy is very prominently, neatly, and beautifully signed and dated (shortly after publication) in black ink-pen on the title page by the author: "Yann Martel Feb. 13, 2016". It is signed directly on the page itself, not on a tipped-in page, as copies available online are. This title is a contemporary classic. This is one of few such signed and post-publication dated copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: The American and Canadian Editions were released simultaneously. Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce signed copy thus. Winner of the Booker Prize in 2002 for "Life of Pi". One of the most brilliant writers of our time. A fine copy. . ISBN 0812997174.

Stock number: 20243. ISBN: 0812997174

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Martin, Dave (Photographer) & Warren, Jim (Subject/Model)
Dave Martin: American Photography Of The Male Nude, 1940-1970

Imprint: Berlin, Germany, Janssen Publishers, 2001
Edition: First Edition
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in No Dust Jacket, As Issued. 150 pages. Rare Dave Martin collectible set. A pristine copy of "Dave Martin: American Photography of the Male Nude, 1940-1970" First Edition/First Printing with original vintage photographic print of "Jim Warren 1953", titled, dated, and signed by Dave Martin. The book and the print are now rare. An austerely elegant production by Janssen: Oversize-volume format. Pictorial softcovers with black titles on the cover and spine, as issued. Photographs and text by Dave Martin. He has contributed a concise essay, "A Brief History of The Male Nude In The USA", which appears as an Afterword in this book only. Printed on pristine-white, archival stock paper in Berlin, Germany to the highest standards. Without DJ, as issued. Presents "Dave Martin: American Photography of The Male Nude, 1940-1970". The pioneering work of a great photographer. Dave Martin was active for three decades, between the 1950's and 1970's. By common consensus, his best work was done during his first decade, when he set up shop in San Francisco, and somehow persuaded the athletes at nearby Stanford University to pose nude for him. Today, Stanford owns the single largest collection of Dave Martin's work (2600 prints), a proud and important part of its Permanent Photography Collection. The All-American look that remains pervasive to this day is due in large part to the efforts of pioneers like Lon of New York. Deeply influenced by the latter, Dave Martin sought to capture the look from the more casual, relaxed, and informal West Coast perspective, a brilliant counterpoint to Lon's Classically-inspired nudes, which capture the cosmopolitan East Coast and its Old World charm. That he would photograph the cream of the crop, Stanford University athletes, remains one of the major coups in the history of male nude photography. "Jim Warren 1953": Original vintage photographic print by Dave Martin, who produced his own prints, a practice that most contemporary photographers now largely consign to highly specialized print developers. The print measures 10 X 8 inches. Shows what is probably Dave Martin's single most handsome discovery, the Stanford athlete Jim Warren. Encased in its own protective plastic sheet. Jim Warren appears in the book, and is one of Dave Martin's most avidly collected models. He anticipates by more than thirty years the All-American supermodels of Bruce Weber, Herb Ritts, and Greg Gorman. An absolute "must-have" collectible, not just memorabilia, set for Dave Martin collectors. This title is now collectible. This copy of "Dave Martin: American Photography of The Male Nude" comes with an original vintage photographic print of "Jim Warren 1953", which is very prominently and beautifully titled, dated, and signed in pencil on verso by Dave Martin. Jim Warren is his real name, and he was an athlete at Stanford University. His portrait is one of the most beautiful male nudes we have ever seen. As far as we know, this is the only set available online and is in especially fine condition: Clean, crisp, and bright, pristine beauties. Please note: Dave Martin signed the print, NOT the book. The print is eminently suitable for framing. Copies available online of the book command between $500 and $1000. This set is surely an accessible and lovely alternative. A rare set thus. Lavishly illustrated with black-and-white plates, 1 original vintage photographic print. One of the finest American photographers of the male nude of the 20th century. A fine collectible set. (SEE ALSO LON OF NEW YORK TITLE IN OUR CATALOG). ISBN 3925443673.

Stock number: 15282. ISBN: 3925443673

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Maruya, Saiichi (Translated by Dennis Keene)
Singular Rebellion

Imprint: Tokyo, Japan, Kodansha International, 1986
Edition: First Edition
Binding: Hardback , With Dust Jacket

First Edition / First Printing. Fine in Fine Dust Jacket. 412 pages. The author's breakthrough debut novel. Now considered one of the key works of modern Japanese literature. The first appearance of the title in English. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Saiichi Maruya's "Singular Rebellion" in a felicitous English translation. His first novel. "Surely that bland-looking businessman you saw crossing the street does not have a single rebellious thought in his mind. Think again" (Publisher's blurb). An absolute "must-have" title for Saiichi Maruya collectors. This title is a late-modern classic. This is one of few copies of the First English-Language Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. One of the most brilliant Japanese writers of the 20th century. A fine copy. (SEE ALSO OTHER SAIICHI MARUYA TITLE IN OUR CATALOG). ISBN 0870117637.

Stock number: 29. ISBN: 0870117637

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Mason, Bobbie Ann
Feather Crowns

Imprint: New York City, NY, HarperCollins Publishers, 1993
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 454 pages. The author's third novel. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Bobbie Ann Mason's "Feather Crowns". A triumph. "In her longest, most ambitious work, Bobbie Ann Mason chronicles the spiritual and emotional journey taken by Christie Wheeler, a Kentucky farmer's wife who gives birth to quintuplets in the spring of 1900. The evocative physical detail, tart dialogue, wry humor and striking ability to capture the rich complexity of working people's lives that distinguished Mason's earlier books are linked to a more overtly philosophical quest for meaning that marks this novel as an exciting extension of the writer's already considerable talents. The novel is a meditation on modern celebrity culture: Hordes of people take the train to gawk at the infants, and in one truly shocking moment, a man enters through a window and disturbs the nursing Christie" (Publisher's Weekly and our comments). As long as the novel is, it goes down smoothly in one or several readings. An absolute "must-have" title for Bobbie Ann Mason collectors. This copy is very prominently and beautifully signed in black pen on the title page by Bobbie Ann Mason. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce signed copy thus. One of the most brilliant American writers of our time. A fine copy. (SEE ALSO OTHER BOBBIE ANN MASON TITLES IN OUR CATALOG). ISBN 0060167807.

Stock number: 8867. ISBN: 0060167807

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Massengill, Reed
Reed Massengill: "aaron In My Parlor #1" Original Archival Print

Imprint: Knoxville, Tennessee, Reed Massengill Studios, 2010
Edition: First Edition
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 1 pages. Rare Reed Massengill collectible set. A pristine original photographic print, titled, numbered, and signed by Reed Massengill, with lavish supplementary materials. This is one of several gallery print-sized photographs of his Hollywood-handsome model, Aaron, in a daring yet elegant nude portrait. Print size is 11 X 14 inches. The photograph is very beautifully printed in the United States under Reed Massengill's direct supervision to the highest standards. Eminently suitable for framing. Encased in his studio's protective plastic sheet. Without DJ, as issued. Presents, in a Limited Edition print, Reed Massengill's "Aaron In My Parlor #1". The photographer, who is also a brilliant writer/historian on photography, has received well-deserved accolades for his male nudes: "Sensational imagery, depicting every essence of male-ness. His extroverted models present themselves cheeky and playful, teasing us pleasurably with their beauty" (Lon Hanagan). One of his most beautiful nudes, this is an absolute "must-have" collectible, not just memorabilia, item for Reed Massengill and male erotic art photography collectors. This 11 X 14 inch Limited Edition photographic print is very prominently and beautifully titled, numbered, and signed in pencil on verso by the photographer: "Aaron In My Parlor #1 1/15 Reed Massengill". It is encased in his studio's protective plastic sheet and is eminently suitable for framing. It also comes with pristine copies of Reed Massengill's 4 X 5 color photographs of Aaron, whom he has photographed over many years, meticulously assembled and encased in individual protective plastic sheets. This print is now collectible. As far as we know, this is the only set available online and has no flaws, pristine beauties. Please note: For a print of this size, Massengill prints command hundreds of dollars from his New York gallery. This is surely an accessible and lovely alternative. A rare signed set thus. 1 original 11 X 14 inch photographic print, 4 X 5 inch original color prints. One of the most brilliant American photographers of the male nude of our time. A flawless collectible set. (SEE ALSO OTHER REED MASSENGILL TITLES IN OUR CATALOG).

Stock number: 17260.

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Massengill, Reed
Reed Massengill: "aaron In My Parlor #2" Original Archival Print

Imprint: Knoxville, Tennessee, Reed Massengill Studios, 2010
Edition: First Edition
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 1 pages. Rare Reed Massengill collectible set. A pristine original photographic print, titled, numbered, and signed by Reed Massengill, with lavish supplementary materials. This is one of several gallery print-sized photographs of his Hollywood-handsome model, Aaron, in a daring yet elegant nude portrait. Print size is 11 X 14 inches. The photograph is very beautifully printed in the United States under Reed Massengill's direct supervision to the highest standards. Eminently suitable for framing. Encased in his studio's protective plastic sheet. Without DJ, as issued. Presents, in a Limited Edition print, Reed Massengill's "Aaron In My Parlor #2". The photographer, who is also a brilliant writer/historian on photography, has received well-deserved accolades for his male nudes: "Sensational imagery, depicting every essence of male-ness. His extroverted models present themselves cheeky and playful, teasing us pleasurably with their beauty" (Lon Hanagan). One of his most beautiful nudes, this is an absolute "must-have" collectible, not just memorabilia, item for Reed Massengill and male erotic art photography collectors. This 11 X 14 inch Limited Edition photographic print is very prominently and beautifully titled, numbered, and signed in pencil on verso by the photographer: "Aaron In My Parlor #2 1/15 Reed Massengill". It is encased in his studio's protective plastic sheet and is eminently suitable for framing. It also comes with pristine copies of Reed Massengill's 4 X 5 color photographs of Aaron, whom he has photographed over many years, meticulously assembled and encased in individual protective plastic sheets. This print is now collectible. As far as we know, this is the only set available online and has no flaws, pristine beauties. Please note: For a print of this size, Massengill prints command hundreds of dollars from his New York gallery. This is surely an accessible and lovely alternative. A rare signed set thus. 1 original 11 X 14 inch photographic print, 4 X 5 inch original color prints. One of the most brilliant American photographers of the male nude of our time. A flawless collectible set. (SEE ALSO OTHER REED MASSENGILL TITLES IN OUR CATALOG).

Stock number: 17261.

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Massengill, Reed
Reed Massengill: "aaron In My Parlor #4" Original Archival Print

Imprint: Knoxville, Tennessee, Reed Massengill Studios, 2010
Edition: First Edition
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 1 pages. Rare Reed Massengill collectible set. A pristine original photographic print, titled, numbered, and signed by Reed Massengill, with lavish supplementary materials. This is one of several gallery print-sized photographs of his Hollywood-handsome model, Aaron, in a daring yet elegant nude portrait. Print size is 11 X 14 inches. The photograph is very beautifully printed in the United States under Reed Massengill's direct supervision to the highest standards. Eminently suitable for framing. Encased in his studio's protective plastic sheet. Without DJ, as issued. Presents, in a Limited Edition print, Reed Massengill's "Aaron In My Parlor #4". The photographer, who is also a brilliant writer/historian on photography, has received well-deserved accolades for his male nudes: "Sensational imagery, depicting every essence of male-ness. His extroverted models present themselves cheeky and playful, teasing us pleasurably with their beauty" (Lon Hanagan). One of his most beautiful nudes, this is an absolute "must-have" collectible, not just memorabilia, item for Reed Massengill and male erotic art photography collectors. This 11 X 14 inch Limited Edition photographic print is very prominently and beautifully titled, numbered, and signed in pencil on verso by the photographer: "Aaron In My Parlor #2 1/15 Reed Massengill". It is encased in his studio's protective plastic sheet and is eminently suitable for framing. It also comes with pristine copies of Reed Massengill's 4 X 5 color photographs of Aaron, whom he has photographed over many years, meticulously assembled and encased in individual protective plastic sheets. This print is now collectible. As far as we know, this is the only set available online and has no flaws, pristine beauties. Please note: For a print of this size, Massengill prints command hundreds of dollars from his New York gallery. This is surely an accessible and lovely alternative. A rare signed set thus. 1 original 11 X 14 inch photographic print, 4 X 5 inch original color prints. One of the most brilliant American photographers of the male nude of our time. A flawless collectible set. (SEE ALSO OTHER REED MASSENGILL TITLES IN OUR CATALOG).

Stock number: 17263.

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Massengill, Reed
Reed Massengill: "jon Herweg, Thanksgiving Day" Original Archival Print

Imprint: Knoxville, Tennessee, Reed Massengill Studios, 2010
Edition: First Edition
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 1 pages. Rare Reed Massengill collectible item. A pristine original photographic print, titled, numbered, and signed by Reed Massengill. The photographer's single most famous photograph, it shows the eponymous All-American model, in a classic nude studio portrait. The photograph appeared as Reed Massengill's Contribution to "Male Nude Now: New Visions For The 21st Century". Print size is 11 X 14 inches. The photograph is very beautifully printed in the United States under Reed Massengill's direct supervision to the highest standards. Eminently suitable for framing. Encased in his studio's protective plastic sheet. Without DJ, as issued. Presents, in a Limited Edition print, Reed Massengill's "Jon Herweg, Thanksgiving Day". The photographer, who is also a brilliant writer/historian on photography, has received well-deserved accolades for his male nudes: "Sensational imagery, depicting every essence of male-ness. His extroverted models present themselves cheeky and playful, teasing us pleasurably with their beauty" (Lon Hanagan). His single most iconic nude, this is a "must-have" original, not just memorabilia, item for Reed Massengill and male erotic art photography collectors. This 11 X 14 inch Limited Edition photographic print is very prominently and beautifully titled, numbered, and signed in pencil on verso by the photographer: "Jon Herweg, Thanksgiving Day 2/15 Reed Massengill". It is encased in his studio's protective plastic sheet and is eminently suitable for framing. This print is now collectible. As far as we know, this is the only copy of the print available online and has no flaws, a pristine beauty. Please note: For a print this size, Massengill prints command hundreds of dollars from his New York gallery. This is surely an accessible and lovely alternative. A rare signed print thus. 1 original 11 X 14 inch photographic print. One of the most brilliant American photographers of the male nude of our time. A flawless collectible print. (SEE ALSO OTHER REED MASSENGILL TITLES IN OUR CATALOG).

Stock number: 17264.

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Massengill, Reed
Reed Massengill: "jon In Lon's Chair" Original Archival Print

Imprint: Knoxville, Tennessee, Reed Massengill Studios, 2010
Edition: First Edition
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in No Dust Jacket, As Issued. 1 pages. Rare Reed Massengill collectible item. A pristine original photographic print, titled, numbered, and signed by Reed Massengill. It shows the All-American model, in a full-frontal yet elegant nude portrait. Another Hujar-inspired portrait of Jon Herweg remains Massengill's single most famous nude and appeared as his Contribution to "Male Nude Now: New Visions For The 21st Century". Print size is 11 X 14 inches. The photograph is very beautifully printed in the United States under Reed Massengill's direct supervision to absolutely the highest standards. Eminently suitable for framing. Encased in his studio's protective plastic sheet. Without DJ, as issued. Presents, in a Limited Edition print, Reed Massengill's "Jon In Lon's Chair". The photographer, who is also a brilliant writer/historian on photography, has received well-deserved accolades for his male nudes: "Sensational imagery, depicting every essence of male-ness. His extroverted models present themselves cheeky and playful, teasing us pleasurably with their beauty" (Lon Hanagan). That comment perfectly captures this casually yet stunningly beautiful photograph. A "must-have" original, not just memorabilia, item for Reed Massengill and male erotic art photography collectors. This 11 X 14 inch Limited Edition photographic print is very prominently and beautifully titled, numbered, and signed in pencil on verso by the photographer: "Jon In Lon's Chair 1/15 Reed Massengill". It is encased in his studio's protective plastic sheet and is eminently suitable for framing. This print is now collectible. As far as we know, this is the only copy of the print available online and has no flaws, a pristine beauty. Please note: For a print this size, Massengill prints command hundreds of dollars from his New York gallery. A rare signed print thus. 1 original 11 X 14 inch photographic print. One of the most brilliant American photographers of the male nude of our time. A flawless collectible print. (SEE ALSO OTHER REED MASSENGILL TITLES IN OUR CATALOG).

Stock number: 17265.

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Matar, Rania (Photographer); Queen Noor of Jordan; Lowry, Lois & Gersh, Kristen (Contributors)
L'enfant-femme: Photographs By Rania Matar

Imprint: Bologna, Italy, Editore Damiani, 2016
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. As New in As New Dust Jacket. 150 pages. Collection of portrait-photographs in color. One of the most beautiful photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Rania Matar and Editore Damiani: Oversize-volume format. Pink cloth boards with full-size photographic reproduction pasted on the cover and titles on the cover and spine, as issued. Photographs by Rania Matar. Texts by Queen Noor of Jordan, Lois Lowry, and Kristen Gersh. Two 7 X 6 inch, large-size Souvenir Postcards laid-in and eminently suitable for framing. Printed on pristine-white, thick coated stock paper in Bologna, Italy to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Rania Matar's "L'Enfant-Femme". Literally, The Woman-Child, which is not quite the same thing as its closest English equivalent, The Girl. "In today's world of endless tagging and posting images online, what is a pre-teen girl's relationship to the camera? Upending assumptions of contemporary digital image-making practices, Rania Matar re-frames these young women through her poignant portraits, revealing how girls between the ages of 8 and 13 interact with the camera, and in so doing, depicts them in deeply personal and poetic ways. Addressing themes of representation, voyeurism, and transgression, these images remind us of the fragility of youth while also gesturing toward its unbridled curiosity and joy. Makes us examine our universality, beauty that transcends place, background, and religion. Conveys the confluence of angst, sexuality, and personhood that defines the progression from childhood into adulthood" (Publisher's blurb). "The journey towards womanhood, with its expectations, demands, and hopes, is difficult to express. Matar captures the essence of the struggle in these amazing photographs" (Christian Science Monitor). "Beautiful and sensitive portraits. Evoke a fundamental, cross-cultural understanding" (Art Houston). An absolute "must-have" title for Rania Matar collectors. This copy comes with two 7 X 6 inch, large-size Souvenir Postcards that are both very prominently and beautifully signed and inscribed in silver pen-marker on verso by Rania Matar. They are eminently suitable for framing. The recipient of the Postcards is Martha Schneider, the owner/curator of Schneider Gallery Chicago, who is one of the most important figures in contemporary art and photography. This title is now collectible. As far as we know, this is the only copy of the First Hardcover Edition/First Printing with signed and inscribed Souvenir Postcards available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare copy thus. Lavishly illustrated with color plates, 2 Souvenir Postcards. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER RANIA MATAR TITLES IN OUR CATALOG). ISBN 8862084501.

Stock number: 21126. ISBN: 8862084501

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Matar, Rania (Photographer) & Minot, Susan (Contributor)
A Girl And Her Room: Photographs By Rania Matar

Imprint: Brooklyn, NY, Umbrage Editions, 2012
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 130 pages. Retrospective collection of color photographs. One of Rania Matar's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Rania Matar and Umbrage Editions: Oversize-volume format. Pictorial hard boards with titles on spine, as issued. Photographs by Rania Matar. Text by Susan Minot, one of the most brilliant American writers of our time. Printed on pristine-white, thick coated stock paper to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Her ground-breaking and deeply affecting portraits of feminine youth, stranded, happily and ambivalently, between childhood and adulthood. This psychological state is incarnated in their innermost, private space, their bedrooms, which they - like ALL of their fellow teen-agers all over the world, male and female - have turned into their primary medium for self-expression. "Captures the interior lives of teenage girls and young women in intimate portraits, taken within the personal spaces of her subjects' bedrooms. From spartan cleanliness to chaotic disarray, stark and paint-chipped to clothing-cluttered and graffiti-ed, each room offers an insider's peek into the mind of the girl who lives there, her values, her desires, and her fears. Matar has succeeded in an unbiased documentary that questions what it means to grow from girl to woman, and how our identities spill over into our material worlds" (Publisher's blurb). "What's most striking about Matar's photography is its balance between The Realistic and The Poetic. She is the documentarian as lyricist, someone who, while recording the incongruous, discovers the transcendent" (Mark Feeney). An absolute "must-have" title for Rania Matar collectors. This copy is very boldly and beautifully signed, dated (in the year of publication), and inscribed in metallic-silver pen-marker on the title page by the photographer: "Dear Martha, Thank you for believing in my work. Love, Rania Matar 2012". It is signed directly on the page itself, not on a tipped-in page. The recipient, Martha Schneider, who is named, is the owner/curator of Schneider Gallery Chicago, and is one of the most important figures in contemporary art and photography. This title is a contemporary photography classic. As far as we know, this is the only such signed, publication-year dated, and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER RANIA MATAR TITLES IN OUR CATALOG). ISBN 1884167764.

Stock number: 22121. ISBN: 1884167764

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Matar, Rania (Photographer) & Shadid, Anthony (Contributor)
Ordinary Lives: Photographs By Rania Matar

Imprint: New York City, NY, Quantuck Lane Press, 2009
Edition: First Edition
Binding: Hardback , With Dust Jacket
Inscription: Signed, inscribed or annotated

First Edition / First Printing. Fine in Fine Dust Jacket. 136 pages. Retrospective collection of black-and-white photographs. One of the most valuable documentary photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Rania Matar: Oversize-volume format. Red cloth boards with metallic-silver titles embossed on spine, as issued. Photographs by Rania Matar. Essay by Anthony Shadid. Printed on pristine-white, thick coated stock paper by Mondadori in Verona, Italy to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents Rania Matar's "Ordinary Lives". Which is surely ironic as her subject is life under the most extraordinary circumstances. "Lebanon is a country built on dichotomies. It is a blend of cultures, poised at the intersection between the Western and Arab worlds. Born in Beirut and living in the West, Rania Matar is especially attuned to those dichotomies. Here she honors the lives of the women and children of Lebanon in evocative photographs. They convey the many facets of life, acknowledging the undeniable presence of war and tragedy yet celebrating the strength, dignity, and humanity of lives lived amid the rubble, in refugee camps, or behind the veil. Universal reminders of the tender bond between a mother and a child, the cheerful camaraderie of friends, and the resilience of the human spirit. Accompanying these photographs are excerpts from the poetry of celebrated Palestinian-American Lisa Majaj" (Publisher's blurb). "No one will forget the women and children in the pages that follow" (Anthony Shadid). An absolute "must-have" title for Rania Matar collectors. This copy is very prominently and beautifully signed in black pen on the title page by Rania Matar. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary photography classic. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. 100 duotone plates. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER RANIA MATAR TITLES IN OUR CATALOG). ISBN 1593720378.

Stock number: 20862. ISBN: 1593720378

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